Autobiographies; Boys -- Biography; Country life; New England
Then I saw that each taper belonged to a little boy or girl, and the
groups of children were scattered all about the church. There was a
group by every side altar and chapel, all the benches were occupied
by knots of them, and there were so many circles of them seated on the
pavement that I could with difficulty make my way among them. There
were hundreds of children in the church, all dressed in their holiday
apparel, and all intent upon the illumination, which seemed to be a
private affair to each one of them.
And not much effect had their tapers upon the darkness of the vast
vaults above them. The tapers were little spiral coils of wax, which the
children unrolled as fast as they burned, and when they were tired of
holding them, they rested them on the ground and watched the burning. I
stood some time by a group of a dozen seated in a corner of the church.
They had massed all the tapers in the center and formed a ring about the
spectacle, sitting with their legs straight out before them and their
toes turned up. The light shone full in their happy faces, and made the
group, enveloped otherwise in darkness, like one of Correggio's pictures
of children or angels. Correggio was a famous Italian artist of the
sixteenth century, who painted cherubs like children who were just going
to heaven, and children like cherubs who had just come out of it. But
then, he had the Italian children for models, and they get the knack of
being lovely very young. An Italian child finds it as easy to be pretty
as an American child to be good.
One could not but be struck with the patience these little people
exhibited in their occupation, and the enjoyment they got out of it.
There was no noise; all conversed in subdued whispers and behaved in the
most gentle manner to each other, especially to the smallest, and there
were many of them so small that they could only toddle about by the most
judicious exercise of their equilibrium. I do not say this by way of
reproof to any other kind of children.
These little groups, as I have said, were scattered all about the
church; and they made with their tapers little spots of light, which
looked in the distance very much like Correggio's picture which is at
Dresden,--the Holy Family at Night, and the light from the Divine Child
blazing in the faces of all the attendants. Some of the children were
infants in the nurses' arms, but no one was too small to have a taper,
and to run the risk of burning its fingers.
There is nothing that a baby likes more than a lighted candle, and the
church has understood this longing in human nature, and found means to
gratify it by this festival of tapers.
The groups do not all remain long in place, you may imagine; there is a
good deal of shifting about, and I see little stragglers wandering over
the church, like fairies lighted by fireflies. Occasionally they form
a little procession and march from one altar to another, their lights
twinkling as they go.
Public-domain text, read in full here on John Shaqi.
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