Belford's Magazine, Volume II, No. 8, January, 1889Various
History
Belford's Magazine, Volume II, No. 8, January, 1889
Various
United States -- Politics and government -- Periodicals
There is another class, however, that will read with avidity and
interest every page of this book, and this class grows wider in our
midst every day. One meets at every turn a man or woman who will tell,
in a matter-of-fact way generally, that is positively comical, of some
experience he or she has had with spooks. This, not the old-fashioned
experience with ghosts. All that has long since been relegated to the
half-forgotten limbo of superstitious things. One hears of communions
with the dead, told off as one would tell of any ordinary occurrence
common to our daily life. This is the natural reaction of the human
mind against the scientific materialism of the day, that seeks to
poison and destroy all religious faith. Religion is as necessary to
health of mind as pure air is to that of body, and when deprived of
either, we struggle for loop-holes of light and breath with
instinctive desperation. Shut out the light of heaven from the soul,
be it in library or laboratory, and one sickens and resists.
Mr. Hawthorne wisely lays the scene of his story in Germany. The
rarefied condition of the German mind is recognized the world over,
and through the everlasting smoke of philosophers' and students' pipes
one is prepared for all sorts of fantastic shapes moving through the
mist. The author opens with a talk on occult subjects that sounds like
voices heard in a fog-bank. With the reader thus prepared, he plunges
him into a drama where substantial men and women mingle with spirits,
and the strange story does overcome us like a summer's cloud, without
our special wonder.
We have said the story holds one spellbound till near the end. The
_denoument_ is not good. "Calling spirits from the vasty deep" is much
easier than disposing of them after they come. To give a satisfactory
explanation of the mystery, and to exorcise the spirit back to rest,
make no easy task, and Mr. Hawthorne is not to blame for finding it
difficult.
We cannot drop the book without calling attention to the author's
happy use of English, in depicting character. Here is a specimen:
Public-domain text, read in full here on John Shaqi.
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