It is not merely in its quality of unredeemed and absolute flatness
that the great fen country of Flanders is so strongly reminiscent of
the great fen country of the Holland parts of Lincolnshire. Each of
these vast levels is equally distinguished by the splendour and
conspicuousness of its ancient churches. Travelling by railway between
Nieuport and Dixmude, you have on every side of you, if the day be
clear, a prospect of innumerable towers and spires, just as you have if
you travel by railway between Spalding and Sleaford, or between
Spalding and King's Lynn. The difference, perhaps, is that the
Lincolnshire churches present finer architectural feature, and are
built of stone, floated down in barges, by dyke or fen, from the famous
inland quarries of Barnack, in Northamptonshire; whilst most of those
in Flanders are built of local brick, though the drums of the piers and
the arches are often of blue limestone. It is remarkable, certainly,
that these soaring spires should thus chiefly rise to eminence in a
setting of dead, flat plain. It may well be, indeed, as some have
suggested, that the character of architecture is unconsciously
determined by the type of surrounding scenery; that men do not build
spires in the midst of mountains to compete with natural sublimity that
they cannot hope to emulate, but are emboldened to express in stone and
mortar their own heavenward aspirations in countries where Nature seems
to express herself in less spiritual, or at any rate in less ambitious,
mood.
Public-domain text, read in full here on John Shaqi.
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