BelgiumOmond, George W. T. (George William Thomson)
History
Belgium
Omond, George W. T. (George William Thomson)
Belgium -- Description and travel
Bruges has doubtless shared in the general prosperity which has spread
over the country since Belgium became an independent kingdom after the
revolution of 1830, but its progress has been slow. It has never lost
its old-world associations; and the names of the streets and squares,
and the traditions connected with numberless houses which a stranger
might pass without notice, are all so many links with the past. There
is the Rue Espagnole, for example, where a vegetable market is held
every Wednesday. This was the quarter where the Spanish merchants
lived and did their business. There used to be a tall, dark, and, in
fact, very dirty-looking old house in this street known by the Spanish
name of the 'Casa Negra.' It was pulled down a few years ago; but
lower down, at the foot of the street, the great cellars in which the
Spaniards stored their goods remain; and on the Quai Espagnol was the
Spanish Consulate, now a large dwelling-house. A few steps from the
Quai Espagnol is the Place des Orientaux (Oosterlingen Plaats), where
a minaret of tawny brick rises above the gables of what was once the
Consulate of Smyrna, and on the north side of which, in the brave days
of old, stood the splendid Maison des Orientaux, the headquarters of
the Hanseatic League in Bruges, the finest house in Flanders, with
turrets and soaring spire, and marvellous façade, and rooms inside all
ablaze with gilding. The glory has departed; two modern dwelling-houses
have taken the place of this commercial palace; but it must surely be a
very dull imagination on which the sight of this spot, now so tranquil
and commonplace, but once the centre of such important transactions,
makes no impression. From the Place des Orientaux it is only a few
minutes stroll to the Rue Cour de Gand and the dark brown wooden front
of the small house, now a lace shop, which tradition says was one of
Memlinc's homes in Bruges, where we can fancy him, laboriously and with
loving care, putting the last minute touches to some immortal painting.
Public-domain text, read in full here on John Shaqi.
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