Architecture no longer represents, in modern times, what it represented in the past, and it would be vain to search in modern Belgium, and, for the matter of that, in any modern country, for the manifestation of an original style expressing the spirit of the age. There are, however, symptoms of vitality which must not be entirely disregarded. The considerable number of public buildings erected and the more or less successful efforts of their builders are by themselves a remarkable testimony. It is characteristic of Belgian civilization and of its irradicable traditional spirit of regionalism that the Hotels de Ville built in imitation of the Flemish Renaissance are particularly numerous, and even in some cases, such as the Maison communale of Schaarbeek, particularly impressive. Some reconstitutions were also attempted, as, for instance, the Antwerp Exchange and the Palace of Margaret of Austria in Malines. The only strikingly original monument is the Palace of Justice in Brussels, built by Poelaert (1870-79). It is the result of an extraordinary medley of styles, from the Assyrian onwards, and presents one of the most pathetic and gigantic efforts to create a beautiful monument under modern conditions. This huge building was intended by the Belgian people to be the apotheosis of Right. Not only of the Justice of everyday courts, but also of international Justice and of the right, so long violated on Belgian soil, of the people to dispose of themselves. [_HISTORICAL SCULPTURE_]