Belgium: From the Roman Invasion to the Present DayCammaerts, Emile
History
Belgium: From the Roman Invasion to the Present Day
Cammaerts, Emile
Belgium -- History
I have already alluded to the ornamental character of Burgundian Gothic
contrasting with the severity of the communal period. Luxury rather
than strength is aimed at by the architects of the hotels de ville and
other well-known monuments of the period, such as the Hotel Gruuthuse
and the Chapelle du Saint Sang in Bruges. This richness is real, and
not artificially confined to the prince and the upper classes of
society.
At the beginning of the Burgundian regime, under Philip the Bold,
Flanders was partially ruined by internal and external wars. Its towns
were depleted of their craftsmen, its polders converted into marshes by
the incursions of the sea, and wolves and wild boars again wandered
through the country as in the early Middle Ages. Brabant, Holland,
Zeeland and Liege, though less severely affected, passed through a time
of strife and civil war. Fifty years later (about 1430), the Low
Countries were again the most prosperous States of Europe, and the
historian Philip de Commines was able to call them "a land of promise,"
while Gachard contrasts them with the southern domains of the duke,
"Burgundy, which lacks money and smells of France." Chastellain
eloquently vaunts their banquets and gorgeous festivities. The dukes
themselves took every opportunity to display their wealth, especially
in the presence of foreign princes. It seems as if they wanted to make
up for the title of king which they vainly coveted by an ostentatious
luxury which no king of the time could have afforded. When, in 1456,
the Dauphin Louis visited Bruges with the duke, the decoration of the
town amazed the French, "who had never witnessed such riches"
(Chastellain), and when Margaret of York entered the town, on the
occasion of her marriage with Charles the Bold, in 1469, the streets
were covered with cloth of gold, silks and tapestries, and the
procession had to stop ten times before reaching the market-place to
admire tableaux vivants illustrating the periods of sacred and profane
history: "By my troth," wrote John Paston, one of the English gentlemen
who attended Margaret's wedding, "I heard never of so great plenty as
there is, and, as for the duke's court, as for lords, ladies and
gentlewomen, knights, squires and gentlemen, I heard never of none like
to it save King Arthur's court."
[_MANNERS OF THE TIMES_]
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