The new building is very magnificent; a new street having been formed
to open at a suitable site for it, one side of which it occupies
exclusively. The centre of the front, projects in the form of a wide
semi-circle, so that carriages drive right under the building to set
down their company at the foot of the grand staircase. Besides the
theatre itself, there is a suite of halls for concerts, capable of
containing two thousand persons, and the entire is finished internally
in the style of Louis XIV, with a prodigality of colours, gilding, and
ornamental carving that is quite surprising. It is certainly the most
beautiful theatre I have seen, as well as one of the most spacious.
The “_spectacle_” and the opera are still amongst those necessaries in
the economy of life in Belgium, which late dinner hours and fastidious
taste have not as yet interfered with. Ghent has long been eminent for
its successful cultivation of music. A few years since, the _chefs
d’orchestre_ in the four principal theatres in the kingdom were all
natives of Ghent, and the names of Verheyen, Ermel and Angelet, all
born in the same place, are familiar to every amateur of the science.
The _Société de St. Cecile_, a musical association, is the most eminent
in the Netherlands, and at a concert at Brussels in 1837, where all
the musicians of the chief cities of the kingdom competed for a prize;
the first honours, two golden medals were given by acclamation to those
of Ghent.
The print works of M. De Smet de Naeyer are situated in the _Faubourg
de Bruges_, and, like almost all in the Netherlands, exhibit no
division of labour; the cotton being spun, woven, and printed upon
the same premises. In the latter department, their productions are
of a very ordinary description, and their designs in a very inferior
class of art. The machinery was partly French and partly Belgian, of
a cumbrous and antiquated construction, compared with that in use in
England; but, as the recent improvements in Great Britain have all been
conceived with a view to the speediest and cheapest production to meet
a most extensive demand, their introduction into Belgium, where the
market is so extremely circumscribed, would only be an augmentation of
expense, without any correspondent advantage. The works were idle at
the moment of our visit.
Public-domain text, read in full here on John Shaqi.
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