Belinda: An April Folly in Three Acts — John Shaqi
Belinda: An April Folly in Three ActsMilne, A. A. (Alan Alexander)
General
Belinda: An April Folly in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
BELINDA. If Mr. Baxter calls--he is the rather prim gentleman--
BETTY. Yea, ma'am; the one who's been here several times before.
(_Moves to below and_ L. _of hammock_.)
BELINDA (_giving_ BETTY _a quick look_). Yes. Well, if he
calls, you'll say, "Not at home."
BETTY. Yes, ma'am.
BELINDA. He will say (_imitating_ MR. BAXTER), "Oh--er--oh--er--
really." Then you'll smile very sweetly and say, "I beg your pardon, was
it Mr_. BAXTER_?" And he'll say, "Yes!" and you'll say, "Oh, I beg
your pardon, sir; _this_ way, please."
BETTY. Yes, ma'am.
BELINDA. That's right, Betty. Well now, if Mr. Devenish calls--he is the
rather poetical gentleman--
BETTY. Yes, ma'am; the one who's _always_ coming here.
BELINDA (_with a pleased smile_). Yes. Well, if he calls you'll
say, "Not at home."
BETTY. Yes, ma'am.
BELINDA. He'll immediately (_extending her arms descriptively_)
throw down his bunch of flowers and dive despairingly into the moat.
You'll stop him, just as he is going in, and say, "I beg your pardon,
sir, was it Mr_. DEVENISH_?" And he will say, "Yes!" and you will
say, "Oh, I beg your pardon, sir; _this_ way, please."
BETTY. Yes, ma'am. And suppose they both call together?
BELINDA (_non-plussed for a moment_). We won't suppose anything so
exciting, Betty.
BETTY. No, ma'am. And suppose any other gentleman calls?
BELINDA (_with a sigh_). There aren't any other gentlemen.
BETTY. It might be a clergyman, come to ask for a subscription like.
BELINDA. If it's a clergyman, Betty, I shall--I shall want your
assistance out of the hammock first.
BETTY. Yes, ma'am.
BELINDA. That's all.
(BETTY _crosses below table and chairs to porch_.)
To anybody else I'm not at home, (_Trying to secure book on table and
nearly falling out of the hammock_.) Oh, just give me that little
green book. (_Pointing to books on the table_.) The one at the
bottom there--that's the one. (BETTY _gives it to her_.) Thank you.
(_Reading the title_.) "The Lute of Love," by Claude Devenish.
(_To herself as she turns the pages_.) It doesn't seem much for
half-a-crown when you think of the _Daily Telegraph_ .... Lute ...
Lute .... I should have quite a pretty mouth if I kept on saying that.
(_With a great deal of expression_.) Lute! (_She pats her mouth
back_.)
BETTY. Is that all, ma'am?
BELINDA. That's all. (BETTY _prepares to go_.) Oh, what am I
thinking of! (_Waving to the table_.) I want that review; I think
it's the blue one. (_As_ BETTY _begins to look_.) It has an
article by Mr. Baxter on the "Rise of Lunacy in the Eastern Counties"--
(BETTY _gives her "The Nineteenth Century" Magazine_.)
--yes, that's the one. I'd better have that too; I'm just at the most
exciting place. You shall have it after _me, _Betty.
BETTY. Is that all, ma'am?
BELINDA. Yes, that really is all.
(BETTY _goes into the house_.)
Public-domain text, read in full here on John Shaqi.
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