Belinda: An April Folly in Three ActsMilne, A. A. (Alan Alexander)
General
Belinda: An April Folly in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
The Lute of Love--(_To herself_.) I haven't been saying that
lately. (_With great expression_.) The Lute of Love--the Lute.
(_She pats her mouth back_.)
TREMAYNE. And who is Mr. Devenish--!
BELINDA (_putting her hand on his sleeve_). You'll let me know when
it's my turn, won't you?
TREMAYNE. Your turn?
BELINDA. Yes, to ask questions. I love this game--it's just like clumps.
(_She crosses her hands on her lap and waits for the next
question_.)
TREMAYNE. I beg your pardon. I--er--of course have no right to
cross-examine you like this.
BELINDA. Oh, do go on, I love it. (_With childish excitement_.)
I've got my question ready.
TREMAYNE (_smiling and going and sitting beside her again_). I
think perhaps it _is_ your turn.
BELINDA (_eagerly_). Is it really? (_He nods_.) Well then--
(_in a loud voice_)--who is Mr. Robinson?
TREMAYNE (_alarmed_). What?
BELINDA. I think it's a fair question. I met you three days ago and you
told me you were staying at Mariton. Mariton. You can say it all right
now, can't you?
TREMAYNE. I think so.
BELINDA (_coaxingly_). Just say it.
TREMAYNE. Mariton.
BELINDA (_clapping her hands_). Lovely! I don't think any of the
villagers do it as well as that.
TREMAYNE. Well?
BELINDA (_looking very hard at TREMAYNE--he wonders whether she has
discovered his identity_). Well, that was three days ago. You came
the next day to see the garden, and you came the day after to see the
garden, and you've come this morning--to see the garden; and you're
coming to dinner to-night, and it's so lovely, we shall simply have to
go into the garden afterwards. And all I know about you is that you
haven't any relations called Robinson.
TREMAYNE. What do I know about Mrs. Tremayne but that she has a relation
called Robinson?
BELINDA. And two dear friends called Devenish and Baxter.
TREMAYNE (_rising--annoyed_). I was forgetting them. (_Crosses to
below_ L. _end of_ C. _table_.)
BELINDA (_to herself, with a sly look round at the cupboard_), I
mustn't forget Mr. Baxter.
TREMAYNE. But what does it matter? What would it matter if I knew
nothing about you? (_Moving up to_ R. _end of Chesterfield and
leaning over it_.) I know everything about you--everything that
matters.
BELINDA (_leaning back and closing her eyes contentedly_). Tell me
some of them. TREMAYNE (_bending over her earnestly_). Belinda--
BELINDA (_still with her eyes shut_). He's going to propose to me.
I can feel it coming.
TREMAYNE (_starting back_). Confound it! how many men _have_
proposed to you?
BELINDA (_surprised_). Since when?
TREMAYNE. Since your first husband proposed to you.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account