Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & EthelfledaPerkins, Thomas, Rev.
History
Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & Ethelfleda
Perkins, Thomas, Rev.
Romsey Abbey
As we follow the winding lanes and streets that lead from the station to
the church, we get our first view of it from the road that skirts its
northern wall. On the left hand there is a wall running from the
north-east corner of the choir, which conceals indeed a few details of
the lower part of the east end, but does not hide the two beautiful
geometrical windows in the east wall of the choir, inserted within the
semicircular headed mouldings of the original Norman windows. We may also
see the square-faced termination of the north choir aisle projecting
eastward of the wall that forms the east end of the choir. The next
noteworthy object is an apsidal chapel or chantry running out from the
east wall of the transept, its walls pierced by wide round headed windows.
This is also a good point from which to study the clerestory as seen in
choir and crossing. The same general arrangement prevails throughout the
building, though here and there certain modifications will be noticed.
Each clerestory bay on the north side has a window consisting of three
arches, the central and wider one is glazed, the two others are blocked
with stone. Three tiers (two in each) of round headed windows light the
ends of the transepts.
On the north side the windows of the nave aisle are very irregular; this
is due to the fact, mentioned in Chapter I, that considerable alterations
were made in this part of the church at the beginning of the fourteenth
century in order to provide a parish church for the inhabitants of the
town. The north wall of the aisle was largely cut away in order to throw
this aisle open to the new building erected parallel to the Abbey church,
which was to be used as the nave of the parish church. Joining this on the
north side was a chantry of the confraternity of St. George which formed
a kind of north aisle for the parish church. Windows would of course be
required to light this new building and would of necessity be designed in
accordance with the style--the Perpendicular--then prevailing. When, after
the dissolution of the nunnery, the Abbey church became the church of the
parish, the recently erected Perpendicular church would be no longer of
any use, and the keeping of it in repair a continual source of expense;
hence it was pulled down, the openings in what had been the original
north wall of the nave aisle of the Abbey church were walled up, and the
mouldings and glass of the Perpendicular windows on the north side of the
parish church were inserted in these new walls. Hence we get windows of
different heights and levels between the great north door and the
transept: recent alterations have still further increased the
irregularity. The parish church did not, apparently, extend so far to the
west as the Abbey church, hence the two windows to the west of the north
door were not interfered with when the parish church was built. It has
been already pointed out that the three western bays of the nave are of
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