Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & EthelfledaPerkins, Thomas, Rev.
History
Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & Ethelfleda
Perkins, Thomas, Rev.
Romsey Abbey
A fine and noteworthy feature in this church is the corbel table which
runs nearly all round it. Here and here only do we find any carving on the
exterior walls, but these corbels are carved into many fantastic devices:
among them we find the very common forms of evil spirits and lost souls
driven away from the sacred building. A legend is connected with a corbel
stone near the west end of the north aisle. It is fashioned into the
likeness of a grindstone and it is handed down by tradition that once upon
a time towards the end of the twelfth century or the beginning of the
thirteenth a nobleman ran away with a blacksmith's wife, but afterwards
repented of his sin and had imposed on him as penance the completion of
the west end of the Abbey church. The grindstone, emblem of the
blacksmith's calling, was, it is said, placed on the newly erected western
bay to commemorate the incident.
[Illustration: SOUTH TRANSEPT, FROM THE WEST]
The #South Side# of the Church differs from the north in some respects:
there is not the same rich arcading along the clerestory level of the
nave, only the real windows appear, not the blind arcading. The windows
of the south aisle have not been altered and re-altered as have been those
of the north aisle. Their sills are set sufficiently high to allow the
cloister arcades to be placed below them, but the cloister alleys have all
disappeared. There is a fine late thirteenth-century door in the second
bay from the western end of the south aisle, and another very beautiful
one known as the Abbess's door at the extreme east end of the wall of the
south nave aisle, in Norman style (see p. 26). The mouldings round the
head are richly ornamented, and two twisted columns stand on each side of
the door. Unfortunately a slanting groove has been cut through the upper
mouldings of it. It is said that at one time a stonemason's shed stood
here, probably the mason employed after the purchase of the church by the
town, to keep the building in repair. We may regret the mutilation of the
doorway, yet at the same time not condemn the existence of this shed as an
unmixed evil, for it covered and protected a most interesting relic on the
west wall of the transept from destruction by wind and sun and rain--the
celebrated #Romsey Rood#, which, as far as England is concerned, is
absolutely unique. The illustration reproduced from a negative taken about
twenty years ago will give a better idea of the character and position of
the rood than verbal description. Since the photograph was taken, a
projecting pent house has been very wisely erected over the crucifix to
protect it from the weather, but at the same time the addition does not
exhibit it to advantage; hence the photograph which shows its previous
condition has become valuable. Various opinions as to the date of this
crucifix have been held. The first hasty opinion likely to be formed is
that it is not older than the wall in which it appears, and therefore must
Public-domain text, read in full here on John Shaqi.
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