Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & Ethelfleda — John Shaqi
Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & EthelfledaPerkins, Thomas, Rev.
History
Bell's Cathedrals: A Short Account of Romsey Abbey: A Description of the Fabric and Notes on the History of the Convent of SS. Mary & Ethelfleda
Perkins, Thomas, Rev.
Romsey Abbey
#The Screen.# The screen that divides the choir from the crossing looks at
first sight distinctly modern, yet it contains some ancient carving dating
from 1372. It has occupied various positions in the church. At one time it
was used to separate from the Abbey Church the chancel of the parish
church, formed as already described from the north arm of the crossing. It
was afterwards placed across the nave, near the west end, under the organ
which blocked up the great triple lancet window. In a guide book in the
abbey, published in 1828, we read that "there is a curious oaken screen of
neat Gothic workmanship, which now separates the west end from the part
which is fitted up for worship. It formerly stood in the northern
transept, and separated it from the body of the church, but when the
alteration in the pewing was made, it was removed to the place it now
occupies, immediately under the organ: it was then painted. The top of the
screen is crowned with running foliage, underneath which, in twenty-three
Gothic trefoils, are as many carved faces. They are evidently portraits
very tolerably executed, and on this account curious and interesting. One
of them is crowned, and all of them have their heads covered with flowing
hair, or wigs, or caps; the last on the right hand is a head thrusting out
its tongue, perhaps a sportive essay of the carver." When the restoration
was begun about the middle of the nineteenth century, this screen was
removed, treated as useless lumber, and stowed away in the triforium,
which at that time, as already described, was separated from the church by
a wall. Here in 1880 the vicar, the Rev. E. L. Berthon, found, to use his
own words, "the ancient oak-carvings of heads in trefoils with a curious
cresting above." He resolved to utilize it in the construction of the
chancel screen. The lower part is modern, designed to match the old work.
The seats in the choir were designed by Mr. Berthon, and the heads
intended to represent various kings, saints, and abbesses, were carved in
the town. The pulpit was erected in 1891, the figures being carved by
Harry Hems of Exeter, who has done so much wood and stone carving in
restored reredoses and screens in various churches.
The #Organ# stands under the westernmost arch of the choir on the north
side.
[Illustration: TOMB AND EFFIGY IN THE SOUTH TRANSEPT]
Public-domain text, read in full here on John Shaqi.
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