Above the Lady Chapel, as it is now called, we have a view of the =East End of the Choir=, as restored by Mr. Gwilt at the same time. This part of the church having been considerably altered by Bishop Fox, in or about the year 1520, the restoring architect, though anxious to go back to the thirteenth century work, had scarcely any data to guide him to its reproduction. The result was the more or less original elevation that we now see. It consists of a three-light lancet window at the east end of the choir, with a small circular window, with seven cusps, in the gable above, surmounted by a cross, and a stair-turret, terminating in an octagonal pinnacle at each end of the elevation.[16] The pitch of Mr. Gwilt's gable was below that of its predecessor; but with this exception (the responsibility for which lies rather with the building committee than with him) his work must be considered very satisfactory. His body now lies at rest in the family vault in the south-east corner outside his work, and he is commemorated in a window within, as well as in a marble tablet behind the altar-screen. The =South side of the Lady Chapel= contains a central window of three lights and geometrical tracery, with a lancet window on the right and left. The mouldings of these side windows are not exactly alike, that on the right (of the spectator) being extremely plain, while the other is supported by slender shafts, terminating in delicate floral capitals. This aspect of the chapel was completely hidden by the parish church of St. Mary Magdalene Overy, erected against it in the thirteenth century, and destroyed in 1822, after having undergone many alterations. The choir entrance, at the intersection of the choir and south transept, is not remarkable, and need not detain us. The =South Transept=, which has a public doorway on its eastern side, was erected, with its companion on the north, in the first half of the fourteenth century (_circa_ 1300-1350) in the Decorated style of that period. It was rebuilt by Cardinal Beaufort in the following century, which accounts for certain architectural differences between the two transepts, chiefly noticeable in the windows and in the interior walls. The front of this transept was repaired in brick in 1735, and the restoration of both was taken in hand by Mr. Wallace in 1830. At the earlier date the original window in the south elevation was "enlarged and beautified," which means that the tracery was taken out, and a cheap substitute inserted, without tracery, and with plain mullions instead of the original elaborate lights. Mr. Wallace improved upon this feeble design by introducing another window, on a pattern partly of his own invention, partly based on a circular window in the adjacent Winchester Palace, which is said to have been singularly ill adapted for stained glass. [Illustration: _Photo._ _G.P. Heisch._ THE CATHEDRAL FROM THE NORTH-EAST.]