Bell's Cathedrals: Southwark Cathedral: Formerly the Collegiate Church of St. Saviour, Otherwise St. Mary Overie. A Short History and Description of the Fabric, with Some Account of the College and the See — John Shaqi
Bell's Cathedrals: Southwark Cathedral: Formerly the Collegiate Church of St. Saviour, Otherwise St. Mary Overie. A Short History and Description of the Fabric, with Some Account of the College and the SeeWorley, George
History
Bell's Cathedrals: Southwark Cathedral: Formerly the Collegiate Church of St. Saviour, Otherwise St. Mary Overie. A Short History and Description of the Fabric, with Some Account of the College and the See
Worley, George
Southwark Cathedral (London, England)
On the north side of the choir, in the easternmost arch, is the
=Monument of Richard Humble=, erected by his son Peter in 1616. He
quotes his father in the inscription as "Alderman of London," which is
supposed to be inaccurate, as the prospective alderman, though
represented in the official gown, is said to have declined office for
political reasons. The monument is a good specimen of the Jacobean
style. Under an arched canopy, supported by Ionic pillars, Richard
Humble is kneeling at a small altar, or _prie-Dieu_, with his two
wives behind him, the second wearing a conical hat, his sons and
daughters being represented in bas-relief on the north and south sides
of the basement. On the altar side there are also some verses, by an
unknown author, in which human life is compared to "the damask rose
and blossom on the tree," with other images of its vanity and
shortness. There is a dash of Elizabethan vigour in the versification,
mixed with a certain quaintness which points to the decadence, and the
lines have been attributed to such different writers as Francis
Beaumont and Francis Quarles. The figures in the monument have been
"beautified" with imitations of marble and alabaster. The canopied
stalls for the Canons were erected as a memorial to Bishop Thorold,
from the diocese of Rochester, as notified on a plain brass tablet.
Those for the choir and cathedral officers were provided by an
anonymous benefactor. The absence of "return stalls" is accounted for
by the fact that St. Saviour's is a parish church as well as a
cathedral, for which reason it is desired to keep the choir as open as
possible.
[Illustration: _Photo._ _G.P. Heisch._
THE ALTAR AND THE HUMBLE MONUMENT.]
It may be here mentioned that the twelve boys who sing at the daily
services are known as "the Wigan Chanters," after Sir Frederick Wigan,
Bart., who has made provision for their salary, and the silver badges
to be worn by them on Sundays and holy days. The badges are engraved
on the face with the priory arms--"Argent, a cross fusilly gules: in
the dexter chief, a cinquefoil gules"--with an inscription on the
reverse.
The low wrought-iron chancel-railing was presented by Mr. Barclay;
the holy table (a classical wooden structure), by Mr. J.F. France, in
place of the former table, also of classical design, which has been
transferred to the retro-choir. The chalice and paten, crosses, vases,
books, embroidery, etc., have been bestowed from time to time by
various friends and worshippers.
[Illustration: _Photo._ _G.P. Heisch._
THE LADY CHAPEL OR RETRO-CHOIR.]
Public-domain text, read in full here on John Shaqi.
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