The fourteenth century windows in the =North Aisle= were partially blocked up with stonework up to 1825, when they were restored and reglazed. Most of the stained glass was inserted in 1892. The window at the west end is a memorial, inserted in 1869, to Mr. John Terrett and his sister. The subject is the "Adoration by the Magi"; the glass is by Heaton Butler and Bayne. The _first_ window east of the porch represents the "Angel appearing to the Shepherds" and "The Star of Bethlehem," and "The Wise Men before Herod," in the lower part. The _second_ shows "Christ Disputing with the Doctors," and below are "Eli and Samuel," "David and Samuel," and "Saul at the feet of Gamaliel." The _third_ represents the Sermon on the Mount, and below, Christ talking to the Woman at Samaria, Christ with Mary and Martha, and Christ with Nicodemus. The _fourth_ represents the Transfiguration; the _fifth_ gives the triumphal entry into Jerusalem; beneath, Christ is driving out the money-changers from the Temple and weeping over the city; the _sixth_ depicts the removal of Christ from the Cross, and the Entombment. These windows are more or less attempts to reproduce the style of the old glass in the choir. Four of them contain groups under canopies, with a background of grisaille and a wide border. Owing to the lights being narrower in the fifth the border is omitted, and in the sixth the grisaille work is also omitted. All the windows in the north aisle, with the exception of that in the west wall and that next to it, were presented to the Abbey by Rev. C.W. Grove. It will be noticed that the windows in the north aisle are slightly longer than those in the south aisle. The curtailment in the latter was due to the fact that the cloisters were built against the outside of the south wall. There is more variety in the tracery of the windows in this north aisle than in those of the south aisle. In the north aisle near the transept [P][11] is a recessed tomb, much mutilated, with a very graceful arch. On the tomb lies a knight in armour, with his hands clasped and his feet resting upon a lion. The armour is worth noticing, as it is curious. The gorget is of edge-ringed mail, the surcoat is blazoned with a chevron between three leopard's faces. Banded mail, with which the knight is dressed, is rarely met with in monuments, only three other instances being known, viz., Newton Solney, Tolland Royal, and Dodford. This tomb has usually hitherto been assigned to Lord Wenlock, who was killed by the Duke of Somerset at the fatal battle of Tewkesbury. Against this theory is the fact that the tomb is of much earlier date than that of Lord Wenlock's death, and the fact that Lord Wenlock built a chantry chapel in Luton Church for his wife Elizabeth and himself, to which, according to Leland, he is said to have been removed. The figure is supposed, with considerable probability, to represent Sir John de Burley.