Bell's Cathedrals: The Cathedral Church of Chichester (1901): A Short History & Description of Its Fabric with an Account of the Diocese and SeeCorlette, Hubert C. (Hubert Christian)
History
Bell's Cathedrals: The Cathedral Church of Chichester (1901): A Short History & Description of Its Fabric with an Account of the Diocese and See
Corlette, Hubert C. (Hubert Christian)
Chichester Cathedral
The first fire had excited some public interest in the great
enterprise at Chichester, and from this an impetus was derived which
helped towards its execution, after the small damage caused by the
fire had been quickly repaired, for by about the year 1150 the four
western bays of the nave, with its aisles, must have been complete. It
should be understood that the fire in 1114 did not lead to any change
in the character of the church such as was occasioned by that other
fire which shall be considered presently; but the work had quietly
continued, so that the aisles of the nave were vaulted by about
1170-1180, the lady-chapel was completed, and in 1184 all was ready
for the second ceremony of consecration which then took place. It has
been assumed that this act implies that the whole of the original
scheme had been executed. Nevertheless, it must be acknowledged that
again there are but few authentic records to show in what manner the
work had been carried on, nor are there many indications of the way in
which the necessary materials and money were provided to help it
forward. But it is interesting to notice that in 1147 William, Earl of
Arundel, gave to the see that quarter of the city in which stood the
palace of the bishops, the residences of the canons, and the cathedral
church. This grant of land confirmed the see in its possession of all
that part of the city now within the bounds of the close.
[Illustration: THE WEST FRONT, ABOUT 1836. _from Winkles's Cathedrals_.]
What, then, was the plan of that church which was designed to suit
the requirements set down by Bishop Ralph Luffa? The ground-plan at
the end of the volume shows the building as it now remains, after many
alterations have been made in the original scheme; but the arrangement
is still, in its main features, much the same as was at first devised.
The usual plan was adopted, and this was the provision of a nave and
chancel having a transept between them so as to make the form of a
cross. The nave had aisles along its whole length. These were extended
on both sides eastward of the transept, and continued as an ambulatory
round a semicircular apse. The transept also had a small apsidal
chapel on the east side of both its north and south arms. At the point
of intersection between the transept and the nave the supports of the
central tower rose. Between this and the west end there were eight
arches in each of the arcades opening north and south from the nave
into the aisles. Beyond the crossing towards the east there were three
similar arches in the arcades which connected the apse with the large
piers of the central tower. These three bays, together with the apse,
enclosed the chancel; and this comprised the sanctuary, which was that
part within the apse itself, and also the presbytery, or choir of the
priests, which occupied the remaining space between the apse and the
arch into the transept beneath the tower. At a later date the
Public-domain text, read in full here on John Shaqi.
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