Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the See — John Shaqi
Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the SeeSweeting, W. D. (Walter Debenham)
History
Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the See
Sweeting, W. D. (Walter Debenham)
Ely Cathedral
Although the Isle of Ely plays so important a part in the history of the
Norman Conquest, and was the scene of the last great stand made against
the Conqueror, neither the party of Hereward and the Camp of Refuge, nor
the forces of the king, did any material damage to the buildings of the
monastery. Its affairs were indeed brought to confusion, as the monks
had sided with Hereward, and the Conqueror gave orders for the plunder
of all the goods of the monastery. But the monks purchased from the king
his forgiveness, and the liberty of the place, and the restoration of
what property had been taken away, for the sum of a thousand marks. To
raise this amount they had to sell almost everything in the church of
gold and silver; and the "Liber Eliensis" enumerates among precious
objects thus alienated, crosses, altars, shrines, texts, chalices,
patens, basins, brackets, pipes (_fistulas_), cups, salvers, and the
image of the Virgin seated with her Son on a throne, which Abbot Elsin
had wrought of gold and silver. It is true that most, if not all, of
these were recovered in about ten years, for it is on record that the
Norman abbot, Theodwin, refused to accept the abbacy until the king
would restore what had been taken away. This seems to refer to the goods
sold to raise the money demanded as the price of his forgiveness.
When the building of the existing cathedral was commenced there was not
the same necessity as existed in many other cases. There was no ruin to
be rendered serviceable. A church was actually standing and in constant
use. It must therefore have been felt that the importance and wealth of
the foundation demanded a more magnificent minster. When Simeon, the
ninth abbot (1081-1093), was appointed, he found the property of the
abbey still in an unsatisfactory state. Lands really belonging to it
were in many instances held by powerful persons, who under various
pretences defied the rights of the religious house. So the abbot's first
work was to recover these. By help of the king's commission he was
entirely successful. But while inquiries were being instituted, and
proceedings for recovery were being taken, he conceived the design of
erecting a very noble church, and set about laying the foundations of
it. He could not, from his great age, have hoped to see much progress
made, but he did live to see a very considerable portion completed. He
devoted a great part of his private fortune, which was large, to the
work. He began with the transepts. This is in itself sufficient to shew
that there was a choir in use. The regular practice, when a wholly new
church was to be built, was to commence at the east end. The lower part
of both transepts is Simeon's work. It is of plain Early Norman
character, and represents all that is now in existence of what he
erected. From a slight increase in ornamentation in the capitals in the
north transept, we infer that the actual commencement was made in the
south transept.
Public-domain text, read in full here on John Shaqi.
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