On the south side of the choir the bracket tomb or monument, so called from the effigy being placed on a corbel or projecting bracket, should be noted. It is said by some to be Aldred's, by others to be Serlo's monument. The date of the monument is later than either in point of time. The mutilated effigy bears a model of a church in his left hand, and this points to its being the monument to a founder. It is more, than probable that it is to the memory of Abbot Henry Foliot, in whose time (1228-1243) the church was re-dedicated. The monument, which is Perpendicular and Early English, has been much battered, but it is exceedingly graceful and of an unusual type. Leland, who visited the Abbey in 1539 or 1540, wrote as follows:--"Serlo, Abbot of Gloucester, lyeth under a fayre marble tombe, on the south side of the Presbytery." #Glass in the Choir.#--Mention has been made above of the east window, and it remains to notice the others. In the clerestory on the north side the windows have been restored by Clayton & Bell. They are best seen from the triforium, but are given here as being part of the choir. Following the example of the lights in the east window, these clerestory windows have alternately red and blue backgrounds. Portions of old glass remain in the heads of the windows. Beginning with the windows west to east the _first_ contains: (1) St. Zacharias. (2) St. Elizabeth. (3) St. John Baptist. (4) St. Gabriel. The _second_ contains: (1) St. Anna. (2) St. Mary. (3) St. Joseph. (4) St. Gabriel. The _third_ contains: (1) St. Peter. (2) St. John. (3) St. James (Major). (This light is out of its place.) (4) St. Andrew. The _fourth_ contains: (1) St. Philip. (2) St. Bartholomew. (3) St. Simon. (4) St. Jude. The clerestory windows on the south side are filled with stamped quarries with central medallions and coloured borders, made after the model of remains of ancient painted glass. The choir also contains a peculiarity in its six-light west window. This was rendered necessary by the difference in height of the nave as compared with that of the choir. The choir vaulting is about twenty feet higher than that of the nave. The glass at present in the window consists chiefly of patch-work, arranged by Hardman from pieces collected and saved at different times from other windows in the cathedral. It represents a figure of our Lord, with angels on either side. Below are angels playing on musical instruments.