In the area of the Bishop’s Cloister was formerly a preaching cross, which fell into a decayed state during the latter part of the last century. Beneath it was a dome of masonry which closed the aperture to a well of considerable depth, which had been formed with great exactness. This well still exists beneath a plain square stone. Another well was (according to Stukeley) situated between the College and the Castle Green, with a handsome stone arch over it. [Illustration: THE CLOISTERS, WITH THE LADIES’ ARBOUR.] THE CLOISTERS, WITH THE LADIES’ ARBOUR. _Photochrom Co., Ld., Photo._ Building operations are still in progress at Hereford, and it was proposed to mark the year of Her Majesty’s Jubilee by a special restoration, dealing principally with the west end and central tower. CHAPTER III. - THE INTERIOR OF THE CATHEDRAL. The Cathedral is usually entered from the north-west through the beautiful parvise porch of Bishop Booth. The lower stage of this porch is formed by three arches with octagonal turrets at their outer angles. These turrets are each capped by a lantern. The second stage has three fine Perpendicular windows. The doorway, which actually opens into the church, belongs to a smaller porch within this outer one. The inner porch is of the Decorated period. There is some particularly good iron-work on the doors, made by Messrs Potter from designs by Mr. Cottingham, junior. Hereford has a smaller area than either of the other two sister cathedrals, being only 26,850 feet in extent. [Illustration: THE NORTH PORCH.] THE NORTH PORCH. The *Nave*, which is separated from the aisles by eight massive Norman piers (part of the original church), of which the capitals are worthy of notice, has somewhat suffered by restorations at the hand of Wyatt. The triforium, the clerestory, the vaulting of the roof and the western wall and doorway are all his work; and it must not be forgotten that he shortened the original nave by one entire bay. Walking to the west end, from which the best general view is to be obtained, one is impressed by the striking effect of the great Norman piers and arches and the gloom of the choir beyond. Through the noble circular arches, which support the central tower and the modern screen on the eastern side of it, we see the eastern wall of the choir, pierced above by three lancet windows and below by a wide circular arch receding in many orders. A central pillar divides this lower arch, two pointed arches springing from its capital and leaving a spandrel between them, which is covered with modern sculpture. In the far distance may be distinguished the east wall of the Lady Chapel and its brilliant lancet lights. Throughout the Cathedral the Norman work is remarkable for the richness of its ornament as compared with other buildings of the same date, such as Peterborough or Ely.