Bell's Cathedrals: The Cathedral Church of Hereford: A Description of Its Fabric and a Brief History of the Episcopal See — John Shaqi
Bell's Cathedrals: The Cathedral Church of Hereford: A Description of Its Fabric and a Brief History of the Episcopal SeeFisher, A. Hugh (Alfred Hugh)
History
Bell's Cathedrals: The Cathedral Church of Hereford: A Description of Its Fabric and a Brief History of the Episcopal See
Fisher, A. Hugh (Alfred Hugh)
Hereford Cathedral
Before Mr. Cottingham’s restoration was commenced in 1843, however, the
whole appearance of the central tower was different, and the beautiful
lantern with its many shafts was hidden from view by a vault of the
fifteenth century, which rose above the great arches and completely
concealed the upper portion of the tower.
In his specific report of the condition of the central tower in
particular, which he was instructed to deliver in writing, Mr. Cottingham
said:
"To enable me to form the opinion which I have now the honour of
reporting, I have carefully examined the construction of the four great
piers which support the tower; they are of Norman workmanship, and
sufficient in bulk to carry a much greater weight than the present tower,
had the masonry been more carefully constructed; they consist of a series
of semi-circular columns attached to a thin ashlar casing, which surrounds
the piers, and the chambers or cavities within are filled with a rubble
core, composed of broken stones, loam and lime grouting; this was
undoubtedly sufficient to carry a low Norman tower, but when the great
Early English shaft was added on the top of this work the pressure became
too great for such kind of masonry to bear. The ashlar and semi-columns,
not being well bonded and deeply headed into the rubble cores, split and
bulged, and the cores, for want of a proper proportion of lime, diminished
and crushed to pieces. To remedy these defects, a second facing of ashlar
has been attached to the piers, in some places by cutting out a part of
the old ashlar, and in others by merely fixing long slips of stone round
the pier with iron plugs, run in with lead,—these most unsightly
excrescences have destroyed the beauty of the original design, without
adding any strength to the masonry. The same unskilful hands blocked up
all the original Norman arches, except one, connected with the tower piers
and communicating with the aisles, choir, and transepts, leaving only a
small passage-way in each.
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