A few years later it was found that the fabric itself was in so dilapidated a condition that much more extensive repairs were necessary, and so Mr Wyatt, the celebrated architect, as Britton calls him, came to Lichfield and began that scheme of alteration which has been the object of so much ridicule and contempt. To lovers of church architecture at the end of the nineteenth century it seems astounding that the splendid and inimitable cathedrals and churches of this country should have been handed over every one to be destroyed and debased in the way Wyatt destroyed and debased them. But there is no doubt that Wyatt represented the spirit of the time, just as Sir Gilbert Scott represented the spirit of the middle of this century. Then it was a love of "vistas" which actuated the alterations, and caused the destruction of anything which came in the way of what was considered a fine view. In those days "vistas" were the all-absorbing consideration and the subject of discussion amongst those who considered themselves cultured, as may be seen in the novels of Jane Austen, and in "Mansfield Park" in particular. Later, the passion for replacing what was old or worn by time with something new, something which was supposed to be a reproduction of the old, has caused endless destruction. The later passion has not yet disappeared, unhappily; but thankfully we may note the signs of the times, and feel sure that in a few years neither a Wyatt with his vistas and Roman cement, nor others, who, having more knowledge, are therefore the less excusable, will be permitted under any circumstances to lay a finger on what it has here and there graciously pleased their forerunners to leave unspoiled. How little this is, can be judged by a visit to any cathedral church from Worcester downwards.