Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal SeeClifton, A. B.
History
Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal See
Clifton, A. B.
Lichfield Cathedral
=The North Doorway= is extremely fine, and is deeply recessed. Like the
other two main doorways of the cathedral,--that at the west end and that
in the south transept--this doorway is double, the main arch being divided
into two. The archivolts of these are lancet-shaped and covered with
foliage, but not foliated as in the west door. Outside the double-arched
doorway proper, the architrave is divided into five principal and
several smaller mouldings; the larger ones being very finely carved,
as to two, the second and fourth, with inter-twisted foliage and scroll
work; and as to the other three, the inner, middle, and outer, with small
lozenge-shaped plaques containing bas-relief figures. These figures in the
inner moulding are angels, in the middle one probably they are patriarchs
and prophets. In the outer one, on the left or eastern side, the figures
show the genealogy of Christ, beginning with Jesse at the springing
stone, and ending with the Virgin and Child near the crown; while on the
right-hand side, opposite Jesse, is the figure of St. Chad baptising
the sons of King Wulphere, and above, the Apostles from St. Matthias to
St. Peter at the crown. The whole architrave is surmounted by a weather
moulding in the form of a gable, with a recently executed cross in the
style of the thirteenth century at the top. The pillars on each side
of the doorway have finely carved capitals, and the outer pillars are
separated by lines of dog-toothing. The central pillar is very graceful,
and consists of four slender shafts with carved capitals. The whole forms
a magnificent example of a doorway in the Early English style, but showing
signs of its derivation from the Norman. There is a niche in the tympanum
which was apparently in Britton's time empty; but it must soon after have
been filled with an image of St. Anne in Roman cement; this has recently
been replaced by a statue of the same saint by Mr W. R. Ingram, while
above some Roman cement work in the top of the gable has been removed,
and a vesica containing a bas-relief of Our Lord in Glory by Mr Bridgeman
reproduces no doubt the original architect's idea. The doorway, though
it has been considerably restored, was not so much injured as a great
deal of the rest of the cathedral, and so contains some very charming
carving of the thirteenth century. There are two figures in Roman cement,
one on each side of the doorway, representing St. Jude with a scroll,
and St. James the Less with a club. No doubt these will both disappear
before long, and their place be filled with modern statues.
[Illustration: THE NORTH ENTRANCE IN 1813.]
Passing by the somewhat plain octagonal chapter-house, where we may
perhaps wonder whether the small niches in the top of the buttresses
which stick up like little turrets ever contained images, we come to
the side of the choir and presbytery, which has not yet been restored,
and then to the Lady Chapel.
[Illustration: A BAY OF THE CHOIR--EXTERIOR.]
Public-domain text, read in full here on John Shaqi.
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