Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal SeeClifton, A. B.
History
Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal See
Clifton, A. B.
Lichfield Cathedral
Professor Willis has pointed out the singular parallelism between the
development of this cathedral and that of York. "The Norman Cathedral
of York was built in 1080, and that of Lichfield at an uncertain
date. Between 1154-1181, Archbishop Roger substituted for the original
chancel at York a long, square-ended choir, with the aisle carried
behind the end. At Lichfield, during the same period, the large chapel
was built at the end of the Norman apse; and about the beginning of the
thirteenth century the whole Norman eastern termination was, as at York,
replaced by a long, square-ended choir with the low aisles behind. Next,
at York the Norman transepts were rebuilt in Early English: the south
transept, 1230-1241; followed by the north transept, 1241-1260. Also at
Lichfield the Norman transepts were rebuilt in Early English, beginning
with the south and ending with the north. The Early English work of this
cathedral is shown by the licences to dig stone to have been in progress
in 1235 and 1238. York nave and Lichfield were next rebuilt in Early
Decorated--the first in 1291-1324. Lastly, at Lichfield, the elongation of
the eastern part was begun at the extreme east, beyond the existing choir
by the Lady Chapel, in late Decorated under Bishop Langton, 1296-1321,
and followed by taking down the choir, and continuing the same work on
its site westward. The works at York followed in the same order, but
forty or fifty years later, by first erecting the presbytery outside the
existing choir, and then taking down the latter and continuing the work
of the presbytery to form the new choir. The plans of the two cathedrals
rival each other in the simplicity of their proportions."
One other important thing which Bishop Langton did was to fortify, or
at any rate to add greatly to the fortifications of the cathedral.
He surrounded the close with a high stone wall and constructed "two
beautiful gates" on the west and south sides of the close. Truly, had
he been able to see the result of his fortification, he might have said
with the Preacher: "All is vanity and vexation of spirit"; for if there
was one thing which brought down on the cathedral the extremities of
hatred and violence in the Civil Wars, it was that it proved able to be
held as a fortress against those who came up against it.
Bishop Langton built also the palace, which for so long, with its towers
and turrets, stood in the north-east corner of the close. It must have
been a magnificent building, and we know that its hall was decorated
with frescoes of scenes in the recent wars. It was destroyed after the
siege of the close in 1643, and Fuller, writing about that time, speaks
of it as the "invisible castle now vanished out of sight."
Public-domain text, read in full here on John Shaqi.
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