Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the Bishops — John Shaqi
Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the BishopsKendrick, A. F. (Albert Frank)
History
Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the Bishops
Kendrick, A. F. (Albert Frank)
Lincoln Cathedral
The edifice was begun and completed by the energetic bishop, and was ready
for consecration within twenty years of its commencement. To judge from
the portions yet remaining, the building must have been severely plain;
not a moulding softens down the rugged edges in those parts which are
still as Remigius left them. But it was solid and strong, built to stand
the wear and tear of many centuries. In fact, so like a fortress was it,
that Stephen used it as such fifty years after, when the castle opposite
was held by his enemies. Precentor Venables thus gives the dimensions
of Remigius' church--300 feet in interior length, 160 feet less than at
present; 28 feet in breadth, as against 38 feet at present, and 60 feet
in height to the level of the ceiling. The roof was undoubtedly of wood,
and probably a flat one of painted boards, like those of the transepts at
Peterborough. The contemporary church at Canterbury, built by the primate
Lanfranc, was roofed in this way. The present nave is 82 feet high,
and the choir 74 feet; the comparison of these dimensions with those
already given shew that the old church was in every way smaller. And
this is only natural. In Norman churches, the stalls for the choir and
clergy were usually placed under the lantern or in the first bays of the
nave, as at Westminster, Norwich, Winchester and other places. For this
and for other reasons the naves were long. The eastern limbs, however,
were short, and it remained for later builders to extend them for the
transference of the stalls to this part, and to erect Lady Chapels beyond.
Public-domain text, read in full here on John Shaqi.
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