Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the BishopsKendrick, A. F. (Albert Frank)
History
Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the Bishops
Kendrick, A. F. (Albert Frank)
Lincoln Cathedral
"I expected from what I had heard in England to find at Lincoln the French
style of architecture, that is to say, some constructions of the end of
the twelfth century and the beginning of the thirteenth which would
shew the evident influence of a French architect. But after the most
careful examination I could not find in any part of the cathedral of
Lincoln, neither in the general design, nor in any part of the system of
architecture adopted, nor in the details of ornament, any trace of the
French school of the twelfth century (the lay school from 1170 to 1220),
so plainly characteristic of the Cathedrals of Paris, Noyon, Senlis,
Chartres, Sens, and even Rouen. The part of the cathedral of Lincoln in
which the influence of the French school has been supposed to be found,
has no resemblance to this. I speak of the choir. On the exterior the
choir of the cathedral of Lincoln is thoroughly English, or Norman if you
will: one can perceive all the Norman influence; arches acutely pointed,
blank windows in the clerestory, reminding one of the basilica covered
with a wooden roof; a low triforium; each bay of the aisles divided into
two by a small buttress; shafts banded. In the interior, vaults which
have not at all the same construction as the French vaults of the end
of the twelfth century; arch-mouldings slender, and deeply undercut;
the abacus round; the tooth-ornament; which do not at all resemble the
ornaments which we find at Paris, Sens, St. Denis, &c.
"As to the large rose window of the north transept, which is said to
have been executed between 1190 and 1200, without disputing that date,
which appears to me rather an early one for it, I cannot consider it as
a French composition. In the first place, I do not know a rose window of
that period in France which is divided into four compartments; the centre
of this window does not resemble the arrangement adopted in France;
and as to the decoration with small roses which cover the mouldings,
they are a very characteristic English ornament.
"Nowhere in France do we find between 1190 and 1200 pillars similar to
those at Lincoln, with the crockets placed between the shafts; nowhere
in France do we find crockets carved like these; nowhere shafts with
hexagonal concave section; nowhere capitals or abacus similar to those
of these pillars.
[Illustration: Monumental Crocket.]
Public-domain text, read in full here on John Shaqi.
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