Like the choir of St. Hugh, the Angel Choir stands at the threshold of a new period in architecture. "The style is the earliest Geometrical, of which the triforium and windows are among the best examples in the world." [7] No hard-and-fast line can be drawn, of course, between the different phases of English Gothic, and when we consider that the period during which the Angel Choir was being built includes the last years of the earliest style, and carries us well into the style which followed, it is not difficult to reconcile the words of two eminent authorities on the subject. Fergusson says that "true geometric (window) tracery is ... seen in perfection in the Angel Choir at Lincoln," whilst in Rickman's book we read that we have here the "richest ... and latest work" of the Early English style. Both writers would undoubtedly agree that it is "one of the most beautiful examples of the best period of English art," "simply perfect in its proportion and details." It may be hardly necessary to remark that the name is due to the beautiful sculptured angels filling the spandrels of the triforium. The 6th October 1280 was the proudest day in the history of the city. Perhaps never, before or since, has such an august assembly gathered within her walls. The body of the Saint of Lincoln was to be translated to the costly shrine in the centre of the Angel Choir. The ceremony was magnificent. Edward himself was present, and supported on his own shoulder the saint's remains as they were carried to their new resting-place; with him was his beloved queen Eleanor, whose effigy was so soon to be placed beneath the same roof. The king and queen were accompanied by Edmund, Earl of Kent, brother of Edward, and his wife; the Earls of Gloucester and Warwick; the Archbishop of Canterbury; the bishops of Lincoln, Bath, Ely, Norwich, Worcester, Llandaff, Bangor, and St. Asaph; the bishop-elect of Exeter; and two hundred and fifty knights. The shrine, ornamented with gold and silver and precious stones, was raised on a lofty stone pedestal, and about thirty years after was protected by an iron grille, wrought by Simon the Smith. It is recorded that the fastenings of the grille were still to be seen in the pavement at the middle of the last century, but all traces have now entirely disappeared. It must have been soon after the translation that the head was removed from the body, and enclosed in a metal case, enriched with gold and silver and precious stones. A keeper was appointed to guard the precious relic during the day, and two had this charge at night. Yet, in spite of all such precautions, it was stolen from the church in the year 1364; the head was thrown into a field, and the case sold in London for twenty marks. The thieves were robbed of their ill-gotten gains on their way back, and were afterwards convicted of the crime, and hanged at Lincoln. The head was found and restored to the cathedral. The treasurer John de Welburne (d. 1380) either restored