Bell's Cathedrals: The Cathedral Church of Norwich: A Description of Its Fabric and A Brief History of the Episcopal SeeQuennell, C. H. B. (Charles Henry Bourne)
History
Bell's Cathedrals: The Cathedral Church of Norwich: A Description of Its Fabric and A Brief History of the Episcopal See
Quennell, C. H. B. (Charles Henry Bourne)
Norwich Cathedral (Norwich, England)
#Exterior of Nave.#--Those portions of the precincts near the western
end of the cathedral are known as the Upper Close; and, walking round
the exterior of the cloisters, we come to the Lower Close. The nave on
the south side can be seen well either from the upper or lower Close,
and can be better examined in detail from the interior of the cloisters.
Its elevation consists of fourteen bays divided by flat Norman
buttresses. In height it is composed of what, at first sight, appears a
bewildering confusion of arches, arcades, and windows. Over the aisle
windows, hidden by the north walk of cloisters, comes a Norman wall
arcading; and over this the Norman triforium windows blocked up, and
again, above the later Perpendicular triforium, superimposed on the old,
and finished with a battlemented parapet. Behind this come the triforium
roof, and then beyond the original Norman clerestory, each bay with a
triple arch formation, the centre arch pierced for a window. And then
above all, the lead roof over nave vault.
The radical changes that have taken place since the nave was built by
Bishop Eborard (1121-45) consist of the insertion in the aisles of later
"Decorated" traceried windows in place of the original Norman ones, and
of the superimposition, before referred to, at triforium level of a
whole range of "Perpendicular" windows over the old Norman work, which
were blocked up at this period. The pristine aspect, then, of this
elevation of the nave would have shown a sloping roof over the aisles
where now the later addition occurs. The battlementing, too, over the
clerestory to the nave is later work, to correspond with battlementing
over the triforium windows. It will be noticed that the two bays next
the transept in the triforium are higher than the others, in order to
throw additional light into the choir.
Also on this same south side, in the seventh and eighth bays from the
west end, two very late windows occur, inserted in the Norman arcading
under the original triforium windows; these were inserted by Bishop
Nykke to light the chapel he built in two bays of the south aisle of the
nave.
The curious raking of the lead rolls to the nave roof is noticeable; the
mediaeval builders did this with a view of counteracting the "crawl" of
the lead. Lead, under the variations of temperature of the atmosphere,
expands and contracts considerably; and from its own weight, and the
steepness of the roofs, the contraction takes place in a downward
direction, and starts the joints, letting in the weather. This raking of
the vertical rolls was a device whereby the old builders in some measure
got over their difficulty by inducing a fixed expansion and contraction.
[Illustration: The Clerestory and Triforium of Choir (South Side).]
Public-domain text, read in full here on John Shaqi.
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