the mouldings--an early feature; and the dripstones are square labels terminating in foliage, but with the ends not returned. Altogether these are more like the windows of a castle or manor-house than of a church. The four towards the south are of three lights, but the east window has five lights and is set higher in the wall, while its dripstone terminates at one end in a grotesque sitting figure. Various gargoyles project from the string-course, which rises to pass over the east window. The angles of the east end seem to rest upon the very edge of the cornice of the apse, and one wonders how the wall is supported along the chord of the curve. In reality, however, the apse is not so sharply curved internally as externally, and its walls are very thick, so that the square form could be imposed upon the round without much overlapping. The parapet shows the same wide merlons and cruciform piercings which characterize the other Decorated parapets of the church, and it may have been brought forward from the choir-aisle. The last bay of the latter displays a window like those on the north side, but having foliage on the capitals of the shafts; and below the parapet runs the cornice continued from the transept, with a curious gargoyle upon it. Part of the base of Archbishop Roger's choir-aisle is visible imbedded between this wall and the apse. Those parts of the church which were rebuilt after the collapse of the south-east corner of the tower can be best examined from the roof of the Lady-loft, which forms with the roofs of the aisles a level surface of considerable extent.