Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal See — John Shaqi
Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal SeePalmer, G. H. (George Henry)
History
Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal See
Palmer, G. H. (George Henry)
Rochester Cathedral (Rochester, Kent, England)
instrument or parts of it, preserves the vista of the choir. In making
a tunnel to connect the organ with its bellows in the crypt, many
interesting discoveries were made.
We now come to Sir G. Scott's work in the choir; it was very thorough.
He restored the gables to the east end, the north transept, and the
aisle of the latter, but had not funds to raise the roof to correspond.
At the same time he replaced where they had been lost the curious little
pinnacles that surmount the flanking turrets of the north choir transept
and of the east end. The ugly, upper east window he, after some
hesitation, decided to do away with, though it was in sound condition
after Cottingham's repairs. In its place was erected the present group
of lancets, which are certainly more appropriate, and have, with the
tier below, from which he removed some inserted decorated tracery, a
very pleasing effect. The high altar was removed from the east end to
its old position, some distance in front, with a free passage all
round. For this old situation conclusive evidence was found when the
floor of the presbytery was lowered to show the bases of the piers round
it. For the altar Scott himself designed its new reredos, and the
greater part of the eastern arm was floored by him with encaustic tiles,
though some would have preferred a pavement less showy and glittering in
effect. The designs of most of these tiles were taken from a few old
ones still to be seen in the choir transepts. Under his direction, too,
new stalls for the dean and prebendaries were erected under the organ,
and new stalls for the choir constructed. In these latter as much
earlier work as possible was preserved. On the wall above them he
restored a painting of which he found considerable portions still
remaining there. He also designed the new pulpit, which was put in a
different position to that of its predecessor, and the new throne. The
earlier pulpit, by Cottingham, was removed to the nave, and the old
throne went later to St. Albans. By far the greater part of the money
for the work of all these three periods was found by the dean and
chapter themselves, and for this they deserve great praise. The new
choir furniture was, however, provided for by Dr. Griffith,--who had
been formerly canon here,--and his wife, with a donation of L3,000.
Earlier instances of their liberality on the building's behalf have been
already given. The episcopal throne was the gift of Lord Dudley; and Dr.
Claughton, then bishop of the see, gave the brass lectern in the choir.
Public-domain text, read in full here on John Shaqi.
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