Bell's Cathedrals: The Cathedral Church of Saint Albans: With an Account of the Fabric & a Short History of the Abbey — John Shaqi
Bell's Cathedrals: The Cathedral Church of Saint Albans: With an Account of the Fabric & a Short History of the AbbeyPerkins, Thomas, Rev.
History
Bell's Cathedrals: The Cathedral Church of Saint Albans: With an Account of the Fabric & a Short History of the Abbey
Perkins, Thomas, Rev.
St. Albans Cathedral
These western towers, if they were built,
as well as the central one, would be crowned by pyramidal caps; and such
towers, finely proportioned, would give the church the height which it
so much needs, and the lack of which we feel so acutely to-day. The
raising of the roofs at the time of the restoration to their original
pitch was an undoubted gain, for without it the building looked lower
and longer even than it does now. The church as we see it has been sadly
injured by Lord Grimthorpe's work at both ends of the transepts, and
whatever may be said about the western front in itself, yet no one can
deny that, had the church been flanked by two towers standing, as at
Wells and Rouen, outside the line of the aisles, even though the front
itself were as plain as that of St. Stephen's at Caen, it would have
been far more impressive.
There is another point in which the church as it exists differs from the
church as it might have been seen soon after Abbot Paul had built it.
Then its walls were covered without as well as within with plaster,
within richly decorated with colour, and without whitewashed. How
different it must have looked with its vast mass seen from a distance
rising above the wooded slopes, white as a solid block of Carara marble
gleaming in the sun, and the lead-covered roofs of nave, transept,
choir, and towers shining with a silvery lustre. Many modern restoring
architects strongly object to plaster, and many a rough wall both
external and internal, which the builder never intended to be seen, has
been scraped and pointed under the idea that plaster is a sham, which it
is not, unless indented lines are drawn on it to make it appear like
blocks of ashlar. The rich red of the Roman brick in St. Albans walls
and towers is so delightful, that perhaps we may think Scott did well in
abandoning his idea of replastering them; yet nothing could have so
entirely altered the general appearance of the building as this scraping
away of the plaster. Besides the general view from Holywell Hill, there
are two other distant points of view which should not be missed: one
from Verulam woods, to the south-west; and one from the fields in which
the ruins of Sopwell Nunnery stand. From this latter point it looks best
after sunset on a cloudless evening, when the tower stands up in
majestic grandeur against the saffron sky, and looking at it one can
well imagine how much grander it must have looked when the tower bore
some fitting termination, either the Norman pyramid or the later
octagon, or even possibly the wooden spire of the Hertfordshire spike
order which succeeded it.
Public-domain text, read in full here on John Shaqi.
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