Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of SarumWhite, Gleeson
History
Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of Sarum
White, Gleeson
Salisbury Cathedral
At the Restoration, Bishop Ward, after a great thunderstorm in 1668,
when fears were entertained for the safety of the spire, called in Sir
Christopher Wren, who, after examining the tower, expressed his belief
"that a spire was not contemplated by its builders;" that "out of fear
to overburden the four piers of the tower, its inside was carried for
40 feet above the nave with a slender hollow work of pillars and
arches, nor hath it any buttresses; the spire itself is but 9 inches
thick, though the height be above 150 feet." This work of pillars and
arches led him to conclude that the architect laid his first floor of
timber 40 feet higher than the vault beneath.
Dr. Walter Pope, in his "Life of Bishop Seth Ward," 1697, describes
the restorations accomplished by this excellent prelate: "There being,
therefore, not much to be done as to reparation, he employ'd himself
in the Decoration of the Cathedral: First, at his proper charges
Paving the Cloyster. I mean that side of it which leads out of his
garden into the church. At his exhortation, and more than
proportinable (_sic_) expence the Pavement of the Church was mended
where it was faulty, and the whole Quire laid with white and black
squares of marble. The Bishops, Deans, and all the Prebendaries Stalls
made New & Magnificent, and the whole church was kept so clean, that
anyone who had occasion for Dust to throw on the Superscription of a
Letter, he would have a hard task to find it there.... His next care
was to repair, I might almost say rebuild his Palace, which was much
ruined, the Hall being pulled down, & the Greater part of the House
converted to an Inn ... what remained of the Palace was divided into
small Tenements and let out to poor Handicraft-men. This dilapidation
was the work of one Van Ling, a Dutchman, by trade a Taylor, who
bought it of Parliament when Bishop's lands were exposed to sale."
Public-domain text, read in full here on John Shaqi.
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