Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of SarumWhite, Gleeson
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Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of Sarum
White, Gleeson
Salisbury Cathedral
Clustered columns of unpolished Purbeck marble on a quatrefoil plan,
with smaller detached shafts of lustrous marble at the cardinal
points, support, on either side, the ten great arches of the first
story of the nave. These polished shafts are generally in two pieces,
with a brass ring covering the joint; Francis Price discusses, at
great length, this constant feature of the whole building, and points
out, that although most of the shafts were probably not in place until
after the masonry was fairly set, yet frequently subsequent settlement
has crushed them; although, in the nave, the main piers in small
blocks laid according to the natural bed of the stone, are still
perfectly sound. The large arches are gracefully moulded with masses
of carved foliage at the intersections.
[Illustration: THE NAVE--SOUTH SIDE.]
In the nave of this cathedral we have a very uncommon feature in the
connected base of the main columns, which was doubtless introduced to
aid in distributing the weight over a larger surface, and so to
overcome the treacherous character of the foundation.
The triforium, which, from its style, naturally suggests comparison
with Westminster, and the Angel Choir of Lincoln, is simple, but
extremely beautiful. Each of its rather flat-pointed arches, equalling
in span that of the main arch below, is subdivided into pairs, which
again each inclose two smaller ones. These are decorated with trefoils
and quatrefoils, alternately with cinquefoils and octofoils.
Immediately above the carving, at the intersection of the main arches,
is a corbelled head, from which rises a triple vaulting-shaft with
foliated capitals, on a line with the base of the clerestory. This
upper story has, in each bay of the vaulting, simple lancet windows
grouped in threes. The arches here, as in almost every instance
throughout the building, are supported by Purbeck marble shafts. The
nave aisles are lighted by double lancet-windows in each bay. The most
noticeable feature of these aisles is the stone bench which extends
the whole length of the building on both the north and south sides.
[Illustration: NORTH AISLE.]
The west wall is panelled in three main arches, with an upper story
reaching to the height of the triforium base, and containing an arcade
of four arches, subdivided each into two smaller trefoiled ones, with
cinquefoil heads. Above these is the triplet lancet of the great west
window. The effect of the nave looking west is clearly shown in the
photograph here reproduced.
Public-domain text, read in full here on John Shaqi.
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