Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of SarumWhite, Gleeson
History
Bell's Cathedrals: The Cathedral Church of Salisbury: A Description of its Fabric and a Brief History of the See of Sarum
White, Gleeson
Salisbury Cathedral
=The Choir.=--In the second bay from the east, on the north side of
the choir, stands the chantry of Bishop Audley, who died in 1524.
This excellent example of late Perpendicular work was built by the
bishop himself in 1520. Its style is not unlike the chantry of Bishop
Fox at Winchester with octagonal shafts, (similar to those of the
Salisbury Chapel at Christchurch,) which impart a semi-Oriental touch
that is so characteristic of this final development of Gothic art. The
images it once enshrined are lost, but the original rich colouring is
still distinguishable on the fan tracery of the roof. The arms and
initials of its founder are borne on the shields of the cornice. In
the corresponding bay on the south side is the chantry founded by
Walter Lord Hungerford, in 1429, and removed from the nave in 1778 by
his descendant, the Earl of Radnor, who converted it into a family
pew. It has been re-decorated, and new emblazonments added. The arms
of its founder and his two wives appear on the base. The
superstructure is of iron, and a fine example of its class, which
includes among the few still extant the chantry of Edward IV. (died
1483) at Windsor, and that of Henry VII. at Westminster Abbey (died
1509). The Audley and Hungerford chantries are the most important left
in a cathedral once rich in their kind, as the report of the
alienation of their endowments proves.
Of modern fittings, the Brass Lectern was given by members of the late
Dean Lear's family. A brass eagle is mentioned by Price, and said to
have been given in 1714 at a cost of L160. The pulpit is modern, with
carved medallions on its sides.
The bishop's throne, a lofty modern structure, made by Earp of
Lambeth, was presented by those clergymen who had been ordained in the
cathedral. It replaced one given in 1763.
=The Choir Stalls= are made up from work of different periods, the
seats and elbows being probably part of the original work; the poppy
heads of the benches are of the time of Henry VIII. Much later Sir
Christopher Wren added to the stalls, and still later Wyatt placed
canopies over them, which have since been removed. The dean's seat has
been said to be of the time of Charles I.
Public-domain text, read in full here on John Shaqi.
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