ST. CALIXTUS' chapel is enclosed on the side of the choir aisle by part of the beautiful ironwork from Beckington's tomb. The doors of this and St. Martin's chapel are also made from the same iron screen. Within the chapel, and near the screen, in strange contrast to it, stands one of those indescribable stoves which disfigure the church, its chimney, as usual, driven through the vault. The east end of the chapel is occupied by the canopy which formed part of Bishop _Beckington's_ tomb till the restoration of 1850, when it was, by an inexcusable act of vandalism, taken down and fixed up in this place (p. 125). This canopy did not cover the tomb, but stood at its foot so as to form the eastern part of a chantry chapel, the tomb being on its south side and the iron screen enclosing it where it jutted into the choir on the north side. It will be noticed that its northern angle was sloped off so as not to present an awkward corner on the side of the choir. The reredos, for such it really is, is a most elaborate and charming piece of work; "pretty" is perhaps the word that describes it best, if "pretty" be taken in its very best sense. Here there is nothing of the suave grace of de Marchia's tomb, nothing of the vigour and truth of the transept capitals, nothing of the noble delicacy of the north porch, which was a delicacy of intellect, while this is a delicacy of execution. It is certainly decadent; even by the side of Sugar's chapel it is over-refined and a thought effeminate, but, with the colour that still covers it fresh and bright, it must have had all the fascination of a splendid piece of jewellery, where profusion of ornament is more desired than structural grace. The cornice is particularly rich with a finely-carved vine ornament, and with two angels, their long outstretched wings minutely feathered, who bear shields having representations of the sacred wounds. The tabernacle work behind the altar is gone, like the altar itself, with the exception of the small niches which formed the sides of the central composition, but the little canopy of the central niche remains to give us a slight idea of its workmanship. The short wings of the reredos have panels and traceried openings, and, on the south, a piscina which looks almost too tiny to be real. The top has a toy-like vault of fan-tracery with little pendants.