On the south side of St. Calixtus' chapel is _Dean Husse's_ alabaster tomb (_ob._ 1305), which bears some of the best carved work in the cathedral. The effigy itself is good: it represents the Dean clad in the same choir vestments as the figures on the panels below. These panels should on no account be missed. The first on the left represents the Annunciation with a grace that is not less delightful for the strain of exaggeration which pervades it. The Blessed Virgin (see illustration on p. 101), a lovely figure in long, close-fitting kirtle and mantle thrown gracefully over her shoulders, turns round from the desk at which she is kneeling, and throws out her arms with a quaint gesture of surprise; her crown and nimbus are both of enormous size. A very small Gabriel dashes down from the top corner, bearing a scroll which takes up the whole of the panel; he is preceded by a Dove with very long rays. The next three panels (passing over these with shields) contain three figures of clergy, two of which hold books, and all their short staves. They wear the cassock, long surplice, and a long, graceful choral cope, somewhat like the modern academic gown in shape, the rounded ends of the hooded almuce reach to the knee and are held at the chest by a cord with tassels. There is no better representation of medieval choir vestments in existence than these three figures. The last panel is a curious representation of the Eternal Father holding the crucifix; this remarkable figure has a _very_ long face, great masses of curly hair, a huge crown, and _very_ long hands. The two chapels of the north transept can only be reached through the choir aisle, no doubt because the way to the chapter-house was through them. The first was probably ST DAVID'S chapel. Here should be noticed the capital of the easternmost shaft of the second transept pier--a head with curly hair and handsome smiling face. This shaft is corbelled off, and the corbel through carved in the shape of a lizard eating the leaves of a plant with berries thereon; it is a charming study. The tomb of Bishop _Still_ (1543-1607) in this chapel is under a handsome canopy of warm-coloured marbles, with black columns and red, blue, and gold decoration. The effigy is dressed in rochet and chimere, over which is a red robe lined with white fur; a ruff is round the neck, a close-fitting black cap covers the head and part of the ears, and the rochet is finished at the wrists with a plain black band.