Bell's Cathedrals: The Cathedral Church of Winchester: A Description of Its Fabric and a Brief History of the Episcopal See — John Shaqi
Bell's Cathedrals: The Cathedral Church of Winchester: A Description of Its Fabric and a Brief History of the Episcopal SeeSergeant, Philip Walsingham
History
Bell's Cathedrals: The Cathedral Church of Winchester: A Description of Its Fabric and a Brief History of the Episcopal See
Sergeant, Philip Walsingham
Winchester Cathedral
The very first glimpse of the nave, as one enters by the west door,
reveals the superb proportions of the interior. In spite of all
statistics of its size, the outward appearance of the building hardly
impresses the spectator with the fact that Winchester is the largest
cathedral in Northern Europe, and it is not until one is within the
walls that the great length of the cathedral begins to become real and
its majesty is properly appreciated. The total span, from end to end, of
556 feet, compared with the 537 feet of Ely, the 525 of York, the 524 of
Lincoln, and the 516 of Canterbury, would not alone produce the effect
of almost infinite vastness, and is certainly not realised either in a
distant prospect from the hills or in a nearer view from the cathedral
precincts. But when once the nave is entered, owing partly to the open
and comparatively low choir-screen, the magnificent vault of nearly 400
feet may easily be understood to have few rivals in the world. Certainly
neither of the two buildings in England which are practically equal in
size to Winchester Cathedral give the peculiarly overwhelming sense of
length produced here. The old epithet of "Royal" may be said to apply as
fitly to the cathedral as to the town, and it certainly is a worthy
shelter for the bones of half-forgotten dynasties, and as fine a
monument of an earlier England as Westminster is of later periods in the
development of the country.
Of course, as in all English cathedrals, a lack of colour and a sense of
coldness and emptiness modifies any unqualified admiration which one
might at first feel. But Winchester could well afford to admit far more
than the most captious critic could utter against it, and yet claim to
be the most stately nave that England can show. Despite the late
recasting, the proportions are Norman, and the very core of the pillars
is still the original Norman stonework. Notwithstanding the changes
wrought by Edingdon and Wykeham, all the more petty detail of the
Decorated period is lavished on a colossal structure planned with the
simple magnificence of those that "builded better than they knew."
Public-domain text, read in full here on John Shaqi.
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