The north and south sides of the feretory are flanked by the chantries of Bishops Gardiner and Fox, into which it opens. #Gardiner's Chantry#, in the Renaissance style, was much damaged by the Reformers, the head being knocked off the figure lying in a long niche on the outside of the chantry, and other indignities committed. Of the tomb nothing now remains, but there is an altar with figures at the back, after Italian models, representing, according to one tradition, Justice and Mercy, while others say the Law and the Gospel. At the east end is a small vestry used as a repository for fragments. The details and the mouldings of Gardiner's chantry are of the Renaissance style, and Britton has described the chapel as "bad Italian and bad English." This is true of the eastern end of the compartment, but there are redeeming features amid the curious mixture of styles. Below the floor-level of this chantry may be seen the base of one of the Norman apse piers, the sole remaining feature of the Norman east end except the crypt. #Bishop Fox's Chantry# is a far finer piece of work and is certainly the most elaborate chantry in the cathedral. It displays no fewer than fifty-five richly-groined niches, all different in pattern; only two of them are tenanted, and these by very recent figures, on either side of the door. There is a great amount of wonderful undercutting to be seen in the spandrels to the arches, and the upper part of the erection shows open tracery with niches and canopies, under a cornice of running foliage and Tudor flowers, surmounted by panelled pinnacles. Fox's "pelican in her piety" alternates on the pinnacles with small octagonal turrets. At one time, moreover, all the arches, etc., contained stained glass, but this has now vanished. Within there is no tomb, but, as in Gardiner's chantry, there is, in an arched recess at the side, the ghastly carved figure of a corpse so frequently introduced in monuments of the period. The altar is surmounted by a small reredos in a sunk panel, now unoccupied, crowned by a band of angels bearing emblems of the Passion. Over the altar is this inscription in Latin:-- _O sacrum convivium in quo Christus sumitur._ There is here, as was the case with Gardiner's chantry, a small room at the eastern end. In this are chests in which relics were kept. [Illustration: BISHOP FOX'S CHANTRY.]