After one has passed through the remains of an outer court, the entrance to the buildings is by a gatehouse known by the name of the "Beaufort Tower." Over the groined vault of the doorway is the founder's chamber, surmounted by an octagonal turret. Three niches exist above the exterior or northern window, one of which has a kneeling figure of Beaufort, while the representation of the Holy Cross, formerly in the centre, and the figure of Henry de Blois have vanished. The niche on the inner side used to be occupied by a statue of the Virgin, which, after surviving the Civil War, fell about a hundred years ago. At the Porter's Lodge in the gateway the time-honoured "dole" of beer and bread is given to visitors. The square quadrangle on which the gate opens has the brethren's rooms on the west (the right hand as one enters), the ambulatory or cloister on the east, the church of St Cross at the south-east corner, and to the right of the church a view of meadows where the buildings were pulled down in 1789. In the centre of the grass is a sundial. Next the Beaufort Tower at the south side is the refectory, and beyond that the master's house. The refectory has three two-light Perpendicular windows, a high-pitched wooden roof, and a minstrels' gallery at the west end. It is now only used as a dining-hall on great occasions. The master's house is thought to be the old "Hundred Mennes Hall," but is now furnished with modern windows. The cloister on the east side is of sixteenth-century work, paved with large red tiles; "the roof is red-tiled," says a recent observer, "the long blank wall faced with rough-cast of a warm yellowish tinge, and supported on a range of broad and low timber arcading, which is, in its turn, supported by a dwarf wall some three feet in height." The main feature of the cloister is a red-brick oriel window; "reared upon two brick arches, supported midway by an octangular pillar of the same material, and flanked by splayed buttresses with stone quoins, the window-opening occupies a comparatively small space, and is filled with stone mullions and tracery of a Tudor character; the whole design proclaimed by a stone tablet, let into the brickwork, to be the work of Bishop Compton." Above the cloister is the infirmary, which opens into the church so as to allow the sick to hear the service. The church, though considered by many the finest existing example of Late and Transitional Norman, also exhibits architecture of all periods down to Late Decorated. Commenced by Bishop de Blois in 1171, it was not completed until the end of the thirteenth century. From east to west it measures 125 feet, its ordinary breadth is 54 feet, while at the transepts it is 115. Woodward thinks from the appearance of the exterior that the body of the church was widened at some period after its first erection. The windows are various in style. In the nave they are Transition Norman and Early English, and