in the clerestory Decorated; in the choir aisles Late Norman. The western doorway is Early English with dogtooth ornament, while the large window above with its geometrical tracery is "fully developed Decorated." The most striking feature of the exterior, however, is at the south-east exterior angle of the south transept, a fine triple arch with chevron and billet moulding, which was probably once a doorway into a cloister no longer existing. Within the three-bay nave one is in the midst of Early English and Transition Norman work. The bases and caps of the Norman pillars are very rich, and, as has been pointed out, furnish a great contrast to such Norman work as is seen on the transept pillars at Winchester itself. The south walls are very plain, and were probably connected with De Blois' buildings originally. In the choir above the pier-arches is a triforium of intersecting arches (to which Milner attributed the origin of the Pointed style), and there is a second passage beneath the clerestory windows. The floor-brass of John de Camden (1382) lies in the choir. When the church was restored by Butterfield the choir was painted in imitation of the old colouring. It cannot be said that the effect is at all pleasing. The new floor tiles bear the letters Z.O. to commemorate the anonymous donor of the money for this restoration. The old encaustic tiles bear the motto "Have Mynde." In the chancel the Renaissance carving dates from about Henry VII., while the Henry VIII. stalls have been removed to the morning chapel in the south aisle. The transepts are a good example of the transition to Early English style. In the northern arm can be seen the window opening out of the infirmary, already mentioned above. [Illustration: THE CITY CROSS, WINCHESTER. From an Old Print.] [Illustration: TOMBSTONE IN THE CHURCHYARD. _A. Pumphrey, Photo._]