Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal SeeClutton-Brock, A. (Arthur)
History
Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal See
Clutton-Brock, A. (Arthur)
York Minster
The records of the building of the nave are somewhat scanty. Stubbs
tells us that the foundation stone was laid on April 6, 1291, and that
it was begun on the south side towards the east. It has been supposed
that the chief object of making the new nave so much wider and loftier
than its predecessor, was that it might be built round the old work
without interfering with its utility.
But a petition, dated 1298, states that the old nave had long since
fallen (_diu est corruita_). If this were so there was no object in
refraining from disturbing the old work. It is uncertain whether the
nave had been purposely destroyed, or had fallen of its own weight. It
may be, though we have no record of the fact, that Thomas's Norman tower
fell down, as did so many Norman central towers, destroying with it some
part of the nave, and so made the rebuilding of that part of the church
necessary.
The nave is fully developed geometrical Decorated work. It is loftier
than the transepts, and its roof is low pitched. The main part of the
rebuilding seems to have been done between 1298 and 1320. The indenture
for glazing the great west window is still extant, and is dated 1338.
The nave must have been roofed before this.
The vault was probably intended to be stone, but the great width of the
building seems to have made the builders afraid, and they erected a
vault of wood, but shaped and ribbed to look like stone. The outer walls
of the clerestory, and the pinnacles of the south side of the nave show
vestiges of flying buttresses. It is uncertain whether these were merely
intended when a stone vault was projected, or whether they were actually
erected, and afterwards, being unnecessary for the support of a wooden
vault, were allowed to fall into disrepair. There are no flying
buttresses on the north side, and the pinnacles are much smaller.
The west front was undoubtedly the latest part of the work to be
finished, except the vault. The lowest stages, though geometrical in
style, are later in character than the nave itself. The great west
window, and the upper stages are of florid curvilinear Gothic. The west
front is said to have been finished, and the great west window glazed by
Archbishop Melton, who gave 500 or 600 marks to the fabric in 1338. The
church was vaulted in 1354; Archbishop Thoresby is said to have given
the wood. Before the beginning of the nave, the relics of St. William
had been carried into the choir, and installed there with great pomp.
The offerings of the faithful at his shrine helped to defray the expense
of the building. Further funds were gained by means of indulgences
granted by successive archbishops. The houses of Vavasour and Percy gave
wood and stone, and statues of their representatives were placed over
the main porch of the west front.
Public-domain text, read in full here on John Shaqi.
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