Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal See — John Shaqi
Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal SeeClutton-Brock, A. (Arthur)
History
Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal See
Clutton-Brock, A. (Arthur)
York Minster
The building must certainly have been roofed before it was decorated,
and if Stubbs is accurate, and there is no reason to suppose that he is
not, the work was completed by Thoresby. Thoresby died in 1373, and if
he finished the presbytery, there was a gap of seven or eight years
between its completion and the beginning of the choir. There is internal
evidence to support this presumption. The presbytery, though
Perpendicular in its main features, shows many traces of the transition
from the curvilinear Decorated to the Perpendicular style, especially in
the tracery of the great east window and the clerestory windows. In the
choir proper these traces have vanished, and the work, though apparently
of the same character as that in the presbytery, is altogether
Perpendicular. A lapse of ten years in the continuity of the work would
account for this change, and becomes still more probable when we
consider that the circumstances of the time were not favourable for
great expenditure on building. The presbytery had been completed
unusually quickly. Indeed, we know that L627 were spent upon it in one
year, and this was an unusual amount. The average expenditure, for
instance, on the choir of Ely was L318. It was natural, therefore, that
there should be a halt to collect further funds. The work of the choir
itself proceeded much more slowly. There was a complaint in 1390 on the
archbishop's visitation--_quod fabrica ecclesiae negligenter
tardatur_--and it was not roofed in until 1400.
The contract for the glazing of the great east window is December 10,
1405--that is to say, thirty years and more from the date of its
construction. But there is nothing unusual in this. It was customary
before filling windows with stained glass to cover them with linen cloth
which admitted a sufficient amount of light, or to glaze them with plain
glass; and it was only natural that a long time should elapse before
stained glass could be supplied to the largest window in the world.
Burying was begun at the east end soon after 1400, and Scrope was buried
there in 1405. Bowet's monument also was erected there in 1415, while he
was still alive.
A new high altar was projected in 1418, and the new crypt was fitted
with iron work and paved in the same year. The building of the choir had
caused a subsidence in the crypt, so the work of Roger and others was
broken into fragments and patched together, older capitals being placed
on Roger's pillars, in the condition in which we now see it. Nothing is
known of the history of the vaults of the choir and eastern transepts.
Like those of the nave and transepts, they are of wood, though of the
same shape and design as a stone vault.
Public-domain text, read in full here on John Shaqi.
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