Bell's Cathedrals: Wimborne Minster and Christchurch Priory: A Short History of Their Foundation and a Description of Their BuildingsPerkins, Thomas, Rev.
History
Bell's Cathedrals: Wimborne Minster and Christchurch Priory: A Short History of Their Foundation and a Description of Their Buildings
The #North Choir Aisle# is a foot narrower than the corresponding south
aisle: it has three windows each with two lights instead of two of three
lights. This is known as St George's aisle. In the east wall is a
piscina of Perpendicular date. Two doors lead into this aisle--one at
the corner, where the walls of the aisle and transept meet, and one
between the two easternmost windows. The principal objects in this aisle
are two bulky chests, one containing the title-deeds of some charity
lands in the parish of Corfe Castle. This is fastened by six locks, each
of different pattern,--each trustee of the charity has a key, of his own
special lock,--so that the chest can only be opened by the consent of
the whole body. The other chest contains the parochial accounts; this
once had six locks, but now has only two.
In the south-eastern corner of this aisle lies a mutilated effigy of a
mail-clad knight with crossed legs. This is said to have been removed to
the minster from another church when it was destroyed. Whom it represents
is uncertain, but traditionally it is known as the Fitz Piers monument.
[Illustration: UVEDALE MONUMENT.]
In this aisle is the monument of Sir Edmund Uvedale, who died in 1606.
The monument was erected by his widow in "dolefull duety." It is in the
Renaissance style, and was carved by an Italian sculptor. The old knight
is represented clad in a complete suit of plate armour, though without a
helmet. He lies on his right side, his head is raised a little from his
right hand, on which it has been resting, as though he were just awaking
from his long sleep, his left hand holds his gauntlet. Above the tomb
hangs an iron helmet, such as was worn in Elizabethan times, and which
very probably was once worn by Sir Edmund himself.
Between the eastern ends of the choir aisles, and beneath the eastern
end of the presbytery, is the #Crypt#. This is a vaulted chamber, the
vaulting being supported on two pairs of pillars, thus forming three
aisles, as it were, running east and west, each containing three bays.
The western bay is of somewhat later date than the central and eastern;
the wall against which the westernmost of the pillars once stood was
removed, but the piers were allowed to remain, backed up by a new piece
of masonry built against them to support the new vaulting. The crypt
is lighted by four windows, equal-sided spherical triangles in shape;
two look out eastward, one northward beyond the chancel arch, one,
correspondingly placed, to the southward. The centre of the east end is
a blank wall. Against this the altar stood--a niche, probably a piscina,
still may be seen. On each side of the place where the altar stood there
are two openings into the choir aisles. The exteriors of these are of
the same form and size as the crypt windows, but they are deeply splayed
inside, and probably were used as hagioscopes or squints, to allow those
kneeling in the choir aisles to see the priest celebrating mass at the
crypt altar.
Public-domain text, read in full here on John Shaqi.
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