Bellarion the Fortunate : $b a romanceSabatini, Rafael
History
Bellarion the Fortunate : $b a romance
Sabatini, Rafael
Italy -- History -- 1268-1492 -- Fiction
'Do not heed his words, sir. He is forever urging rash courses. He, too,
is impatient. And impatience is a dangerous mood to bring to such
matters as these.'
Bellarion was not deceived. They would have him believe that Count
Spigno had intended no more than to urge a course, whereas what he
perceived was that the Count had been about to disclose the course
already determined, and had disclosed enough to make a guess of the
remainder easy. No less did he perceive that to betray his apprehension
of this fact might be never to leave that house alive. He could read it
in their glances, as they waited to learn from his answer how much he
took for granted.
Therefore he used a deep dissimulation. He shrugged ill-humouredly.
'Yet patience, sirs, can be exceeded until from a virtue it becomes a
vice. I have more respect for an advocate of rash courses'--and he
inclined his head slightly to Count Spigno--'than for those who practise
an excessive caution whilst time is slipping by.'
'That, sir,' Barbaresco rebuked him, 'is because you are young. With
age, if you are spared, you will come to know better.'
'Meanwhile,' said Bellarion, completely to reassure them, 'I see plainly
enough that your message to her highness is scarce worth carrying.' And
he flung himself down into his chair with simulated petulance.
The conference came to an end soon afterwards, and the conspirators went
their ways again singly. Shortly after the departure of the last of
them, Bellarion took his own, promising that he would return that night
to Messer Barbaresco's house to inform him of anything her highness
might desire him to convey. One last question he asked his host at
parting.
'The pavilion in the palace gardens is being painted. Can you say by
whom?'
Barbaresco's eyes showed that he found the question odd. But he answered
that most probably one Gobbo, whose shop was in the Via del Cane, would
be entrusted with the work.
Into that shop of Gobbo's, found by inquiry, Bellarion penetrated an
hour later. Old Gobbo himself, amid the untidy litter of the place, was
engaged in painting an outrageous scarlet angel against a star-flecked
background of cobalt blue. Bellarion's first question ascertained that
the painting of the pavilion was indeed in Gobbo's hands.
'My two lads are engaged upon it now, my lord.'
Bellarion winced at the distinguished form of address, which took him by
surprise until he remembered his scarlet suit with its imposing girdle
and gold-hilted dagger.
'The work progresses all too slowly,' said he sharply.
'My lord! My lord!' The old man was flung into agitation. 'It is a
beautiful fresco, and ...'
'They require assistance, those lads of yours.'
'Assistance!' The old man flung his arms to heaven. 'Where shall I find
assistants with the skill?'
'Here,' said Bellarion, and tapped his breast with his forefinger.
Amazed, Gobbo considered his visitor more searchingly. Bellarion leaned
nearer, and lowered his voice to a tone of confidence.
Public-domain text, read in full here on John Shaqi.
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