Benedetto Croce: An Introduction to His Philosophy — John Shaqi
Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
The religion which played such an important part in his family and
school life was probably little more than a habit with him: a set
of answers to certain fundamental problems which, accepted on the
authority of parents and teachers, released his mind for the pursuit
of his favourite studies. And yet, there is no doubt that we can
find traces of this religious education in all his work: a personal
experience of the catholic catechism and of catholic morality brings
a spirit in contact with some of the great ideas and of the great
realities of life in a much more intimate and profound way than the
purely intellectual apprehensions of the same ideas and realities ever
will. It creates habits of mind and moral tastes which will still be
recognizable even after the individual mind to which they belong has
undergone the most radical changes. In a philosopher, in particular, it
forms a kind of personal background to thought, similar to that which
modern philosophy actually has in its own history: it reproduces in the
youth of one man that religious phase which corresponds to the youth of
a civilization, and is the source of the intellectual development of a
more conscious age. At intervals during his adolescence, Croce's faith
intensified itself into passing aspirations towards a life of devotion,
until it quietly vanished, so to speak, from his consciousness, through
no great dramatic crisis, but merely in consequence of a course
of lessons on the philosophy of religion, which were intended to
strengthen it and make it more resistant to criticism, during the last
years of his secondary education. At about the same time, having come
under the influence of both Carducci and De Sanctis, he began to write,
and contributed his first articles to a literary weekly, the _Fanfulla
della Domenica_, which represented the most vigorous and advanced
tendencies of the day.
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