Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
And yet, after we have denied the logical existence of error, we are
still confronted with the mass of positive errors which we can more
or less easily identify in the course of history and in our daily
experience. Positive errors, that is, affirmations of knowing that
which we do not know, are real products of our activity: but since the
theoretical value, truth, is absent from them, they cannot be products
of the theoretical activity. They must therefore be products of the
only other form of spiritual activity, the practical. Ignorance or
obscurity or doubt are not errors; they are the inexhaustible matter to
which the spirit of man is perpetually giving form and reality. To be
aware of one's ignorance is in fact the first stage in the research of
truth, the _initìum sapientæ_. Thought and truth are affirmation; the
positive error is an affirmation also, which simulates truth. We cannot
think an error, but we can pass from thought to action, by making a
false affirmation, a purely practical affirmation, which consists in
the act of producing sounds to which no thought corresponds, or, which
amounts to the same, only a thought without value, without coherence,
without truth. What we have qualified in its negative aspect as a
theoretical error manifests itself in its positive aspect as an act of
will, directed to a certain end, a practical act, and, as such, having
its own rationality, which is neither logical, nor moral, but purely
economic, consisting in the adequacy of that particular affirmation
to the individual purpose by which it has been prompted. Morality
requires that the thinking spirit should realize itself as truth; and
therefore the economic act which is error, though logically unreal,
though economically useful, finds inevitably its ultimate sanction in a
moral condemnation.
Public-domain text, read in full here on John Shaqi.
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