Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
one from the dread of not being able to know that which is not known
only because either it was or it will be known, and the other, from the
despair of never attaining the final truth: that is, both have freed
themselves from the phantasm of the 'thing in itself.'"[5]
This final affirmation of the unity of human thought, this
qualification of all thought as at the same time historical and
philosophical, is the last answer given by Croce to the problem
which had occupied him for the last twenty years, ever since his
first speculations on history as art. From the consideration of the
individual moment which is essential to history, he had slowly raised
himself to the contemplation of the pure universal, only to return
finally to the individual moment in which only the universal realizes
itself. And while this answer can be regarded, on the whole, as the
natural conclusion of the idealistic movement in philosophy, yet it
differs from Kant in its ultimate repudiation of the _noumenon_, from
Hegel, in that it makes it impossible to build, side by side with a
dynamic logic, a mythology of the Idea, a philosophy of history and of
nature, in which the transcendental element, eliminated already from
the logic, should find its ultimate refuge. It is to be hoped that
Croce's critics will not level against him those same criticisms that
are generally employed against Kant or Hegel, because they would be for
the most part ineffectual against a Kantian and Hegelian philosopher
who has discarded the whole of Kantian and Hegelian metaphysics.
From this standpoint, Croce is not only the heir of the idealistic,
but also of the positivistic or realistic tradition, which he has
constantly opposed, not because of its anti-metaphysical character,
but because in the external reality of the realist, in the natural or
historical philosophy of the positivist, he is unable to see anything
but naturalistic disguises of the old metaphysical entities. A realist
who should not in principle refuse to become acquainted with Croce's
thought, but honestly attempt to understand it, would probably find his
own realism purified and made more truly realistic by the experience.
Public-domain text, read in full here on John Shaqi.
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