Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
The analogies between this general cultural atmosphere, and the present
conditions of the intellectual world in America, are, provided we
do not stress them too hard, so striking that I cannot refrain from
calling the attention of the reader to them. I believe this will help
him to apply a good many of Croce's criticisms and ideas to tendencies
and problems with which he is thoroughly familiar. The most recent
forms of American philosophy, pragmatism, instrumentalism, realism,
are indigenous elaborations of that same English positivism and
empiricism which was dominant in Italy a generation ago: the relations
between science and philosophy are seen in the same light in America
to-day as in Italy before the beginning of this century. And the two
most significant and far-reaching directions of research, social
psychology and psychoanalysis, branching out into every ramification
of social and moral and æsthetic thought, are based on assumptions,
and lead to results, very similar to those of the Spencerian sociology
and of the Lombrosian theory of insanity and genius. Even in fiction
America is to-day trying her hand at verism, and in poetry, apart
from a few marked exceptions, she is experimenting in the same spirit
in which we began to follow, about the end of the period, the most
recent fashions of Paris in verslibrism and decadentism. In academic
circles German philology has maintained its sway for a much longer
time than in Europe, and the war has brought about more an emotional
than an intellectual consciousness of the need of a vaster and deeper
understanding of history. Finally, certain aspirations towards ancient
and totally different systems of moral and æsthetic standards, embraced
with an enthusiasm that is akin to an act of faith--the hope to
discover a refuge and a consolation from the chaos of modernity in a
restoration of classical or mediæval ideals--are American varieties
of an attitude of mind which found its satisfaction in Italy in
patterns which we drew after the models of Ruskinism and of French
traditionalism.
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