Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
As a young man, in my student days in Italy, I was a fervid and
enthusiastic follower of Croce's ideas: one of the many who used to
swear, as we were wont to say, _in verba Crucis._ To the generation
who opened the eyes of their intellect in the dawn of the century,
he had revealed what seemed to be the only safe path between the two
precipices of a pseudo-scientific materialism on one hand, and of a
mysticism on the other, which in all its many forms (traditionalism,
modernism, pragmatism, intuitionism, æstheticism, super-humanism,
futurism) could not be anything less than an abdication of thought for
the sake of the emotions. And it should not be wondered at, if Croce's
books, appearing at short intervals between 1900 and 1910, and building
up what presented itself to us as a complete system of answers to
all, or practically all, our most pressing spiritual questions, were
received by us with deep gratitude but with very little constructive
criticism. They covered such an enormous space on the map of European
culture, that even for the most ambitious among us, they were very
often the first introduction to entirely new fields of studies, and all
we could do was to follow our guide in his voyages of rediscovery: to
repeat within ourselves the strenuous experience of which each of those
books was a report and a testimony.
Impatience with a master who was not of the kind we had been accustomed
to, who could not be easily digested, surpassed and disposed of, but
had as much energy and courage, as light a step and as curious a mind,
as the most gifted among his pupils, prompted a good deal of immature
and capricious criticism, which was but a means for an arbitrary
liberation. It was an amusing sight to see Croce assailed and, to the
satisfaction of his critics, destroyed, with weapons that nobody could
have provided but Croce himself, and a dwarf victoriously brandishing
against the giant a toothpick for a sword. But there is no epic of
thought without such comic interludes.
My own faith in Croce was not shaken until intercourse with one of the
greatest critical minds of our day, and the representative of a totally
different philosophical tradition, a mathematician and a philosopher,
showed me the weakness of the foundations not of Croce's, but of my own
idealism. And a long residence in England, where I became intimately
acquainted with certain logical habits utterly unlike our Latin ways of
thought, made me profoundly sceptical of the intellectual advantages of
whatever dogmatism might have been in me. Yet I continued for a long
time to keep as it were in separate compartments those that had seemed
to me to be established truths in Croce's system, and speculations of
a quite different order on problems which were forced upon me by my
own experience of life and by contact with a new moral and cultural
environment.
Public-domain text, read in full here on John Shaqi.
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