We ought to add, however, that this venomous jest is borrowed bodily from Dean Swift's treatment of the poor almanac-maker, Partridge. Indeed it might be said of Franklin, as Moliere said of himself, that he took his own wherever he found it. [1] [conjunction symbol] signifies _conjunction_; [sun symbol] _the sun_; [Mercury symbol] _Mercury_. But what gave the almanac its permanent fame was the cleverness of the maxims scattered through its pages. These wise saws Franklin gathered from far and wide, often, however, reshaping them and marking them, with the stamp of his peculiar genius. As might be expected, they are chiefly directed to instill the precepts of industry and frugality. On ceasing to edit the almanac in 1757 Franklin gathered together the best of these proverbs and wove them into a continuous narrative, which he pretends to have heard spoken at an auction by an old man called Father Abraham. This speech of Father Abraham became immediately famous, was reprinted in England, was translated into the languages of Europe, and still lives. It made the name of Poor Richard a household word the world over. Franklin, however, had many intellectual interests besides reading and writing. He was always interested in music, himself playing the guitar and harp and violin; and one of his proudest achievements was the perfection of a musical instrument called the armonica, which consisted of a series of glasses so designed as to give forth the notes of the musical scale when chafed with the moistened finger.