With the return of day, he made himself as tidy as he could without the aid of his clothes chest, which was coming around by sea, and repaired to the printing shop of Andrew Bradford, to whom he had been referred by William Bradford, the father of Andrew, in New York. When he arrived at the shop, he found the father there. By travelling on horseback, he had reached Philadelphia before Benjamin. By him Benjamin was introduced to Andrew Bradford, who received him civilly, and gave him breakfast but told him that he was not at present in need of a hand, having recently secured one. There was another printer in town, however, he said, lately set up, one Keimer, who perhaps might employ him. If not, Benjamin was welcome to lodge at his house, and he would give him a little work to do now and then until he could find steadier employment for him. Benjamin then went off to see Keimer; and William Bradford accompanied him; for what purpose soon became apparent enough. "Neighbor," said Bradford, "I have brought to see you a young man of your business; perhaps you may want such a one." Keimer asked Benjamin a few questions, put a composing stick in his hands to test his competency, and declared that he would employ him soon though he had just then nothing for him to do. Then taking old Bradford, whom he had never seen before, and whose relationship to Andrew he never suspected, to be a friendly fellow townsman, he opened up his plans and prospects to his visitors, and announced that he expected to get the greater part of the printing business in Philadelphia into his hands. This announcement prompted William Bradford to draw him on "by artful questions, and starting little doubts, to explain all his views, what interest he reli'd on, and in what manner he intended to proceed." "I," observes Franklin, "who stood by and heard all, saw immediately that one of them was a crafty old sophister, and the other a mere novice. Bradford left me with Keimer, who was greatly surpris'd when I told him who the old man was." There was room enough in Philadelphia for such an expert craftsman as Benjamin. Andrew Bradford had not been bred to the business of printing, and was very illiterate, and Keimer, though something of a scholar, was a mere compositor, and knew nothing of presswork. His printing outfit consisted of an old shattered press, and one small, worn-out font of English letters. When Benjamin called on him, he was composing directly out of his head an elegy on Aquila Rose, a worthy young Philadelphian who had just died: What mournful accents thus accost mine ear, What doleful echoes hourly thus appear! What sighs from melting hearts proclaim aloud The solemn mourning of this numerous crowd. In sable characters the news is read, Our Rose is withered, and our Eagle's fled, In that our dear Aquila Rose is dead.